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. Such a Gospel does not answer in any single particular, unless it be the omission of the genealogy (which however does not appear to have been absent from all copies of this Gospel), to the notices of Tatian's _Diatessaron_. More especially the omission of all reference to the Davidic descent of Christ would be directly opposed to the fundamental principle of this Gospel, which, addressing itself to the Jews, laid special stress on His Messianic claims. How then can we explain the statement of Epiphanius? It is a simple blunder, not more egregious than scores of other blunders which deface his pages. He had not seen the _Diatessaron_: this our author himself says. But he had heard that it was in circulation in certain parts of Syria; and he knew also that the Gospel of the Hebrews was current in these same regions, there or thereabouts. Hence he jumped at the identification. To a writer who can go astray so incredibly about the broadest facts of history, as we have seen him do in the succession of the Roman Emperors [285:2], such an error would be the easiest thing in the world. Yet it was perfectly consistent on the part of our author, who in another instance prefers John Malalas to the concurrent testimony of all the preceding centuries [285:3], to set aside the direct evidence of a Theodoret, and to accept without hesitation the hearsay of an Epiphanius. 2. 'Tatian's Gospel,' writes the author of _Supernatural Religion_, 'was not only called _Diatessaron_, but according to Victor of Capua, it was also called _Diapente_ ([Greek: dia pente]) "by five," a complication which shows the incorrectness of the ecclesiastical theory of its composition.' This is not a very accurate statement. If our author had referred to the actual passage in Victor of Capua, he would have found that Victor does not himself call it _Diapente_, but says that Eusebius called it _Diapente_. This makes all the difference. Victor, who flourished about A.D. 545, happened to stumble upon an anonymous Harmony or Digest of the Gospels [286:1], and began in consequence to investigate the authorship. He found two notices in Eusebius of such Harmonies; one in the _Epistle to Carpianus_ prefixed to the Canons, relating to the work of Ammonius; another in the _Ecclesiastical History_, relating to that of Tatian. Assuming that the work which he had discovered must be one or other, he decides in favour of the latter, because it does not give St Mat
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