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ON Wit and humor, and the distinction between them, defy precise definition. Luckily, they need none. To one asking what is beauty, a wit replied: "That is the question of a blind man." Similarly, none requires a definition of wit and humor unless he himself be lacking in all appreciation of them, and, if he be so lacking, no amount of explanation will avail to give him understanding. Borrow, in one of his sermons, declared concerning wit: "It is, indeed, a thing so versatile, multiform, appearing in so many shapes and garbs, so variously apprehended of several eyes and judgments, that it seemeth no less hard to settle a clear and certain notion thereof than to make a portrait of Proteus, or to define the figure of the fleeting wind." Nor is it fitting to attempt exact distinctions between wit and humor, which are essentially two aspects of one thing. It is enough to realize that humor is the product of nature rather than of art, while wit is the expression of an intellectual art. Humor exerts an emotional appeal, produces smiles or laughter; wit may be amusing, or it may not, according to the circumstances, but it always provokes an intellectual appreciation. Thus, Nero made a pun on the name of Seneca, when the philosopher was brought before him for sentence. In speaking the decree that the old man should kill himself, the emperor used merely the two Latin words: "Se neca." We admit the ghastly cleverness of the jest, but we do not chuckle over it. The element of surprise is common to both wit and humor, and it is often a sufficient cause for laughter in itself, irrespective of any essentially amusing quality in the cause of the surprise. The unfamiliar, for this reason, often has a ludicrous appeal to primitive peoples. An African tribe, on being told by the missionary that the world is round, roared with laughter for hours; it is told of a Mikado that he burst a blood-vessel and died in a fit of merriment induced by hearing that the American people ruled themselves. In like fashion, the average person grins or guffaws at sight of a stranger in an outlandish costume, although, as a matter of fact, the dress may be in every respect superior to his own. Simply, its oddity somehow tickles the risibilities. Such surprise is occasioned by contrasting circumstances. When a pompous gentleman, marching magnificently, suddenly steps on a banana peel, pirouettes, somersaults, and sits with extreme violence, we laugh befo
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