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The Project Gutenberg EBook of Jokes For All Occasions, by Anonymous This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Jokes For All Occasions Selected and Edited by One of America's Foremost Public Speakers Author: Anonymous Release Date: April 15, 2007 [EBook #21084] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK JOKES FOR ALL OCCASIONS *** Produced by Barbara Tozier, Bill Tozier, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net JOKES FOR ALL OCCASIONS SELECTED AND EDITED BY ONE OF AMERICA'S FOREMOST PUBLIC SPEAKERS [Illustration: Publisher's logo] NEW YORK EDWARD J. CLODE COPYRIGHT, 1921, 1922, BY EDWARD J. CLODE _Printed in the United States of America_ JOKES FOR ALL OCCASIONS PREFACE The ways of telling a story are as many as the tellers themselves. It is impossible to lay down precise rules by which any one may perfect himself in the art, but it is possible to offer suggestions by which to guide practise in narration toward a gratifying success. Broadly distinguished, there are two methods of telling a story. One uses the extreme of brevity, and makes its chief reliance on the point. The other devotes itself in great part to preliminary elaboration in the narrative, making this as amusing as possible, so that the point itself serves to cap a climax. In the public telling of an anecdote the tyro would be well advised to follow the first method. That is, he should put his reliance on the point of the story, and on this alone. He should scrupulously limit himself to such statements as are absolutely essential to clear understanding of the point. He should make a careful examination of the story with two objects in mind: the first, to determine just what is required in the way of explanation; the second, an exact understanding of the point itself. Then, when it comes to the relating of the story, he must simply give the information required by the hearers in order to appreciate the point. As to the point itself, he must guard against any carelessness. Omission of an essential detail is fatal. It may be well for him, at the outset, to memorize the conc
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