The Nongkrem dance is really part of what is known as the _pom-blang_,
or goat-killing ceremony, performed by the Siem of Khyrim (or
Nongkrem)) with the aid of his _soh-blei_ (high priest) and the various
_lyngdohs_ (or priests) to Ka Blei Synshar (the ruling goddess),
that the crops may prosper and that there may be a successful era in
store for the people of the State. The goddess on this occasion may be
regarded as a Khasi Demeter, although no mysteries form part of her
services as at the Grecian Eleusis. The Nongkrem ceremony and dance
(now held at Smit) take place in the late spring, generally in the
month of May. A lucky day having been fixed; the Siem sends a ring of
cane (_kyrwoh_) by way of a summons to the people of every village in
the State, at the same time informing them of the date of the puja and
requesting them to attend with their offerings, consisting of goats
and different articles of food. In the meantime various pujas have
been taking place in the house of _Ka Siem Sad_, the Siem priestess,
which it would be tedious to describe in detail. The more interesting
points only will be mentioned. A fortnight before the puja and dance
at Smit the _soh-blei_, or high priest, pours out libations of liquor
in the _kyram-blang_, or place where the sacrificial goats are kept,
and in front of the great post (of _dieng sning_, or Khasi oak),
in the house of the Siem priestess. Dancing then takes place in
front of the post. Later on the Siem, with the high priest and
other attendant priests, walks with extremely slow gait to a small
hill where a stone altar has been prepared, and sacrifices a cock
in honour of _u'lei Shillong_, or the god of the Shillong Peak. A
silver dish with powdered rice, liquor in a gourd, (_ka'iad um_),
betel-nut, and some leaves of the Khasi oak (_dieng sning_), are also
necessary adjuncts of the puja. A goat is then sacrificed, and the
sacrifice is followed by a dance of twenty two men armed with swords
and shields and chowries (fly-flaps). Having danced before the altar,
the party returns to the house of the Siem priestess and executes
another dance in the great courtyard. The Siem and certain selected
persons dance in front of the _rishot blei_, or holy post of Khasi oak
inside the house of the Siam priestess, the dancers being entertained
with dried fish and ginger. Then follows the great dance of girls and
men in front of her house. The girls dance in the centre, taking such
tiny ste
|