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st foes of the Muses. The new equipments may not have been indispensable to the poet's soaring--they may not be the greater wings of his song, the mighty pinions that take him beyond Space and Time into Eternity and the Infinite. But they are most admirable _talaria_, ankle-winglets enabling him to skim and scud, to direct his flight this way and that, to hover as well as to tower, even to run at need as well as to fly. That a danger was at hand, the danger of too great restriction in the syllabic direction, has been admitted. The greatest poet of the fourteenth century in England--the greatest, for the matter of that, from the beginning till the sixteenth--went some way in this path, and if Chaucer's English followers had been men of genius we might have been sorely trammelled. Fortunately Lydgate and Occleve and Hawes showed the dangers rather than the attractions of strictness, and the contemporary practice of alliterative irregulars kept alive the appetite for liberty. But at this time--at our time--it was restriction, regulation, quantification, metrical arrangement, that English needed; and it received them. * * * * * [Sidenote: _The "accent" theory._] These remarks are of course not presented as a complete account, even in summary, of English, much less of European prosody. They are barely more than the heads of such a summary, or than indications of the line which the inquiry might, and in the author's view should, take. Perhaps they may be worked out--or rather the working out of them may be published--more fully hereafter. But for the present they may possibly be useful as a protest against the "accent" and "stress" theories which have been so common of late years in regard to English poetry, and which, though not capable of being applied in quite the same fashion to the Romance languages, have had their counterparts in attempts to decry the application of classical prosody (which has never been very well understood on the Continent) to modern tongues. No one can speak otherwise than respectfully of Dr Guest, whose book is certainly one of the most patient and ingenious studies of the kind to be found in any literature, and whose erudition, at a time when such erudition needed far greater efforts than now, cannot be too highly praised. But it is a besetting sin or disease of Englishmen in all matters, after pooh-poohing innovation, to go blindly in for it; and I cannot b
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