FREE BOOKS

Author's List




PREV.   NEXT  
|<   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97  
98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   >>   >|  
that the number of song writers from the end of the twelfth century to the end of the thirteenth is extremely large. M. Paulin Paris, whose elaborate chapter in the _Histoire Litteraire_ is still the great authority on the subject, has enumerated nearly two hundred, to whose work have to be added hundreds of anonymous pieces. It would seem indeed that during a considerable period the practice of song writing was almost as incumbent on the French gentleman of the thirteenth century as that of sonnetteering on the English gentleman of the sixteenth. There are, however, not a few names which deserve separate notice. The first of these in point of time, and not the last in point of literary importance, is that of Quesnes de Bethune, the ancestor of Sully, and himself a famous warrior, statesman, and poet. His epitaph by a poet not usually remarkable for eloquence[70] is a very striking one. It gives us approximately the date of his death, 1224; and the word _vieux_ is supposed to show that Quesnes must have been born at least as early as the middle of the twelfth century. He took part in two crusades, that of Philip Augustus and that which Villehardouin has chronicled. His poems[71] are of all classes, historical, satirical, and amorous, some of last being addressed to Marie, Countess of Champagne; and his Chansons are, in the technical sense, some of the earliest we possess. Contemporary with Quesnes apparently was the personage who is known under the title of Chatelain de Coucy, and whose love for the Lady of Fayel resulted in an interchange of very tender and beautiful verse; the poem known as the lady's own is one of the very best of its kind. Long afterwards lover and lady became the hero and heroine of a romance, which has led some persons to throw doubt upon their historical existence, and the Lady of Fayel has even been deprived of her poem by a well-known kind of criticism. Of more importance is Thibaut de Champagne, King of Navarre, who is indeed the most important single figure of early French lyrical poetry. He was born in 1201, and died in 1253. His high position as a feudal prince in both north and south, the minority of St. Louis, and the intimate relations which existed between the King's mother, Blanche of Castille, and Thibaut, made him the mark for a good deal of satirical invective. There is a tradition that he was Blanche's lover, the only objection to which is that the Queen was thirty years his senior.
PREV.   NEXT  
|<   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97  
98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   >>   >|  



Top keywords:
Quesnes
 

century

 

gentleman

 
French
 

importance

 
historical
 

Thibaut

 

Blanche

 

satirical

 

Champagne


thirteenth

 
twelfth
 

heroine

 

thirty

 

romance

 

existence

 

deprived

 

persons

 

Chatelain

 
Paulin

apparently

 

personage

 
beautiful
 

extremely

 

senior

 

tender

 

interchange

 
resulted
 

criticism

 
intimate

relations

 

existed

 

minority

 

mother

 
invective
 

number

 

Castille

 
prince
 

important

 

single


Navarre

 
Contemporary
 

writers

 

figure

 

lyrical

 

position

 

feudal

 

poetry

 

objection

 

tradition