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The Project Gutenberg EBook of A Short History of French Literature, by George Saintsbury This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Short History of French Literature Author: George Saintsbury Release Date: July 3, 2010 [EBook #33062] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SHORT HISTORY OF FRENCH LITERATURE *** Produced by Jonathan Ingram, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. London HENRY FROWDE OXFORD UNIVERSITY PRESS WAREHOUSE AMEN CORNER, E.C. New York 112 FOURTH AVENUE Clarendon Press Series A SHORT HISTORY OF FRENCH LITERATURE BY GEORGE SAINTSBURY FOURTH EDITION Oxford AT THE CLARENDON PRESS 1892 Oxford HORACE HART, PRINTER TO THE UNIVERSITY PREFACE. An attempt to present to students a succinct history of the course of French literature compiled from an examination of that literature itself, and not merely from previous accounts of it is, I believe, a new one in English. There will be observed in the parts of this Short History a considerable difference of method; and as such a difference is not usual in works of the kind, it may be well to state the reasons which have induced me to adopt it. Early French literature is to a great extent anonymous. Moreover, even where it is not, the authors were usually more influenced by certain prevalent styles or forms than by anything else. Into these forms they threw without considerations of congruity whatever they had to say. Nothing, for instance, can be less suitable for historical or scientific disquisition than the octosyllabic metre of a satiric poem. But Jean de Meung and one at least of the authors of _Renart le Contrefait_[1] do not think of composing prose diatribes. At one moment and place the form of the Chanson de Geste is all-absorbing, at another the form of the Roman d'Aventures, at another the form of the Fabliau. In Book I. I shall therefore proceed by these forms, giving an account of each separately. After Villon the case changes. Instead of classes of chroniclers, trouveres, jongleurs, we get individual authors of eminence and individu
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