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The Project Gutenberg eBook, Italian Popular Tales, by Thomas Frederick Crane This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Italian Popular Tales Author: Thomas Frederick Crane Release Date: November 26, 2007 [eBook #23634] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK ITALIAN POPULAR TALES*** E-text prepared by Cathy Smith, Chloe P. H. Lewis, Josephine Paolucci, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net.) Transcriber's note: Minor typographical errors have been corrected. Carets (^) indicate a superscript letter. This book has two types of notes. Footnotes are in the text and are indicated by a letter. These have been moved to the end of the appropriate paragraph. Endnotes are indicated by a number, and the notes for all the chapters are at the end of the stories. ITALIAN POPULAR TALES by THOMAS FREDERICK CRANE, A. M. Professor of the Romance Languages in Cornell University Boston and New York Houghton, Mifflin and Company The Riverside Press, Cambridge Copyright, 1885, by Thomas Frederick Crane. All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. Electrotyped and Printed by H. O. Houghton & Company. To GIUSEPPE PITRE. PREFACE. The growing interest in the popular tales of Europe has led me to believe that a selection from those of Italy would be entertaining to the general reader, and valuable to the student of comparative folk-lore. The stories which, with but few exceptions, are here presented for the first time to the English reader, have been translated from recent Italian collections, and are given exactly as they were taken down from the mouths of the people, and it is in this sense, belonging to the people, that the word popular is used in the title of this work. I have occasionally changed the present to the past tense, and slightly condensed by the omission of tiresome repetitions;[A] but otherwise my versions follow the original closely, too closely perhaps in the case of the Sicilian tales, which, when recited, are very dramatic, but seem disjointed a
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