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ed he purged the mind of secret corruption. But if there be any knowledge of the truth, and if the truth be one, he has as much that learns it of him that invented it, as the inventor himself. Now he the most easily attains the truth, that is persuaded he has it not; and he chooses best, just as he that has no children of his own adopts the best. Mark this well, that poetry, mathematics, oratory, and sophistry, which are the things the Deity forbade Socrates to generate, are of no value; and that of the sole wisdom about what is divine and intelligible (which Socrates called amiable and eligible for itself), there is neither generation nor invention by man, but reminiscence. Wherefore Socrates taught nothing, but suggesting principles of doubt, as birth-pains, to young men, he excited and at the same time confirmed the innate notions. This he called his Art of Midwifery, which did not (as others professed) extrinsically confer intelligence upon his auditors; but demonstrated it to be innate, yet imperfect and confused, and in want of a nurse to feed and fortify it. QUESTION II. WHY DOES HE CALL THE SUPREME GOD FATHER AND MAKER OF ALL THINGS? (Plato, "Timaeus," p. 28 C.) Is it because he is (as Homer calls him) of created gods and men the Father, and of brutes and things that have no soul the maker? If Chrysippus may be believed, he is not properly styled the father of the afterbirth who supplied the seed, although it arose from the seed. Or has Plato figuratively called the maker of the world the father of it? In his Convivium he calls Phaedrus the father of the amatorious discourse which he had commenced; and so in his Phaedrus ("Phaedrus," p. 261 A.) he calls him "father of noble children," when he had been the occasion of many pre-eminent discourses about philosophical questions. Or is there any difference between a father and a maker? Or between procreation and making? For as what is procreated is also made, but not the contrary recreated did also make, for the procreation of an animal is the making of it. Now the work of a maker--as of a builder, a weaver, a musical-instrument maker, or a statuary--is altogether apart and separate from its author; but the principle and power of the procreator is implanted in the progeny, and contains his nature, the progeny being a piece pulled off the procreator. Since therefore the world is neither like a piece of potter's work nor joiner's work, but there is a great shar
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