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ined one with another do they signify anything. And join and confound together conjunctions, articles, and prepositions, supposing you would make something of them; yet you will be taken to babble, and not to speak sense. But when there is a verb in construction with a noun, the result is speech and sense. Therefore some do with justice make only these two parts of speech; and perhaps Homer is willing to declare himself of this mind, when he says so often, [Greek omitted] For by [Greek omitted] he usually means a verb, as in these verses. [Greek omitted], and, [Greek omitted] ("Odyssey," xxiii. 183; viii. 408.) For neither conjunction, article, nor preposition could be said to be [Greek omitted] (TERRIBLE) or [Greek omitted] (SOUL GRIEVING), but only a verb signifying a base action or a foolish passion of the mind. Therefore, when we would praise or dispraise poets or writers, we are wont to say, such a man uses Attic nouns and good verbs, or else common nouns and verbs; but none can say that Thucydides or Euripides used Attic or common articles. What then? May some say, do the rest of the parts conduce nothing to speech? I answer, They conduce, as salt does to victuals; or water to barley cakes. And Euenus calls fire the best sauce. Though sometimes there is neither occasion for fire to boil, nor for salt to season our food, which we have always occasion for. Nor has speech always occasion for articles. I think I may say this of the Latin tongue, which is now the universal language; for it has taken away all prepositions, saving a few, nor does it use any articles, but its nouns are (as it were) without skirts and borders. Nor is it any wonder, since Homer, who in fineness of epic surpasses all men, has put articles only to a few nouns, like handles to cans, or crests to helmets. Therefore these verses are remarkable wherein the articles are suppressed.-- [Greek omitted] ("Iliad," xiv. 459.) and, [Greek omitted] (Ibid. xx. 147.) and some few besides. But in a thousand others, the omission of the articles hinders neither perspicuity nor elegance of phrase. Now neither an animal nor an instrument nor arms nor anything else is more fine, efficacious, or pleasanter, for the loss of a part. Yet speech, by taking away conjunctions, often becomes more persuasive, as here:-- One rear'd a dagger at a captive's breast; One held a living foe, that freshly bled
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