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eeble, sunken, and almost blind, and scarcely able to read or write. He uttered his farewell with kindly emotion, and I feared that the next I should hear of him would be the news of his death. Two years later he began a Universal History, which is not without traces of weakness, but which, composed after the age of 83, and carried, in seventeen volumes, far into the Middle Ages, brings to a close the most astonishing career in literature. His course had been determined, in early life, by Quentin Durward. The shock of the discovery that Scott's Lewis the Eleventh was inconsistent with the original in Commynes made him resolve that his object thenceforth should be above all things to follow, without swerving, and in stern subordination and surrender, the lead of his authorities. He decided effectually to repress the poet, the patriot, the religious or political partisan, to sustain no cause, to banish himself from his books, and to write nothing that would gratify his own feelings or disclose his private convictions #66. When a strenuous divine, who, like him, had written on the Reformation, hailed him as a comrade, Ranke repelled his advances. "You," he said, "are in the first place a Christian: I am in the first place a historian. There is a gulf between us." #67 He was the first eminent writer who exhibited what Michelet calls _le desinteressement des morts_. It was a moral triumph for him when he could refrain from judging, show that much might be said on both sides, and leave the rest to Providence #68. He would have felt sympathy with the two famous London physicians of our day, of whom it is told that they could not make up their minds on a case and reported dubiously. The head of the family insisted on a positive opinion. They answered that they were unable to give one, but he might easily find fifty doctors who could. Niebuhr had pointed out that chroniclers who wrote before the invention of printing generally copied one predecessor at a time, and knew little about sifting or combining authorities. The suggestion became luminous in Ranke's hands, and with his light and dexterous touch he scrutinised and dissected the principal historians, from Machiavelli to the _Memoires d'un Homme d'Etat_, with a rigour never before applied to moderns. But whilst Niebuhr dismissed the traditional story, replacing it with a construction of his own, it was Ranke's mission to preserve, not to undermine, and to s
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