y left them and lived for a time with other
nations, and at last did not die, but was changed into a dragon and
carried by Zeus to Elysion.

The birthplace of this culture hero was somewhere far to the eastward of
Greece, somewhere in "the purple land" (Phoenicia); his mother was "the
far gleaming one" (Telephassa); he was one of four children, and his
sister was Europe, the Dawn, who was seized and carried westward by Zeus,
in the shape of a white bull. Cadmus seeks to recover her, and sets out,
following the westward course of the sun. "There can be no rest until the
lost one is found again. The sun must journey westward until he sees again
the beautiful tints which greeted his eyes in the morning."[1] Therefore
Cadmus leaves the purple land to pursue his quest. It is one of toil and
struggle. He has to fight the dragon offspring of Ares and the bands of
armed men who spring from the dragon's teeth which were sown, that is, the
clouds and gloom of the overcast sky. He conquers, and is rewarded, but
does not recover his sister.

[Footnote 1: Sir George W. Cox, _Ibid._, p. 76.]

When we find that the name Cadmus is simply the Semitic word _kedem_, the
east, and notice all this mythical entourage, we see that this legend is
but a lightly veiled account of the local source and progress of the light
of day, and of the advantages men derive from it. Cadmus brings the
letters of the alphabet from the east to Greece, for the same reason that
in ancient Maya myth Itzamna, "son of the mother of the morning," brought
the hieroglyphs of the Maya script also from the east to Yucatan--because
both represent the light by which we see and learn.

Egyptian mythology offers quite as many analogies to support this
interpretation of American myths as do the Aryan god-stories.

The heavenly light impregnates the virgin from whom is born the sun-god,
whose life is a long contest with his twin brother. The latter wins, but
his victory is transient, for the light, though conquered and banished by
the darkness, cannot be slain, and is sure to return with the dawn, to the
great joy of the sons of men. This story the Egyptians delighted to repeat
under numberless disguises. The groundwork and meaning are the same,
whether the actors are Osiris, Isis and Set, Ptah, Hapi and the Virgin
Cow, or the many other actors of this drama. There, too, among a brown
race of men, the light-god was deemed to be not of their own hue, but
"light colored, wh