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of Waianae, Oahu, where was the home of the small-leafed maile.] [Footnote 379: _Makua._ A valley in Waianae.] [Footnote 380: _One opio-pio._ Sand freshly smoothed by an ocean wave.] [Footnote 381: _Apo'i-po'i._ To crouch for the purpose, perhaps, of screening oneself from view, as one, for instance, who is naked and desires to escape observation.] [Footnote 382: _Kilauea._ There is some doubt whether this is the Kilauea on Kauai or a little place of the same name near cape Kaeua, the westernmost point of Oahu.] [Page 204] In the next mele to be given it is evident that, though the motive is clearly Hawaiian, it has lost something of the rugged simplicity and impersonality that belonged to the most archaic style, and that it has taken on the sentimentality of a later period. _Mele_ E Manono la, e-a, E Manono la, e-a, Kau ka ope-ope; Ka ulu hala la, e-a, 5 Ka uluhe la, e-a. Ka uluhe la, e-a, A hiki Pu'u-nana, Hali'i punana No huli mai. 10 Hull mai o-e la; Moe kaua; Hali'i punana No hull mai. Hull mai o-e la; 15 Moe kaua; Moe aku kaua; O ka wai welawela, O ka papa lohi O Mau-kele; 20 Moe aku kaua; O ka wai welawela, O ka papa lohi O Mau-kele. A kele, a kele 25 Kou manao la, e-a; A kele, a kele Kou manao la, e-a. [Translation] _Song_ Come now, Manono, Come, Manono, I say; Take up the burden; Through groves of pandanus 5 And wild stag-horn fern, Wearisome fern, lies our way. Arrived at the hill-top, We'll smooth out the nest, That we may snug close.
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