FREE BOOKS

Author's List




PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  
d. An instance of word-repetition, common in Hawaiian poetry.] [Footnote 90: _Wai-kaloa_. A cool wind that Wows at Lihue, Kauai] [Footnote 91: _Alina_. A scar, or other mark of disfigurement, a moral blemish. In ancient times lovers inflicted injuries on themselves to prove devotion.] The short skirt, _pa-u_, was the most important piece of attire worn by the Hawaiian female. As an article of daily wear it represented many stages of evolution beyond the primitive fig-leaf, being fabricated from a great variety of [Page 50] materials furnished by the garden of nature. In its simplest terms the pa-u was a mere fringe of vegetable fibers. When placed as the shield of modesty about the loins of a woman of rank, or when used as the full-dress costume of a dancing girl on a ceremonious occasion, it took on more elaborate forms, and was frequently of _tapa_, a fabric the finest specimens of which would not have shamed the wardrobe of an empress. In the costuming of the hula girl the same variety obtained as in the dress of a woman of rank. Sometimes her pa-u would be only a close-set fringe of ribbons stripped from the bark of the hibiscus (_hau_), the _ti_ leaf or banana fiber, or a fine rush, strung upon a thong to encircle the waist. In its most elaborate and formal style the pa-u consisted of a strip of fine tapa several yards long and of width to reach nearly to the knees. It was often delicately tinted or printed, as to its outer part, with stamped figures. The part of the tapa skirt thus printed, like the outer, decorative one in a set of tapa bed-sheets, was termed the _kilohana_. The pa-u worn by the danseuse, when of tapa, was often of such volume as to balloon like the skirt of a coryphee. To put it on was quite an art, and on that account, if not on the score of modesty, a portion of the halau, was screened off and devoted to the use of the females as a dressing room, being known as the _unu-lau-koa_, and to this place they repaired as soon as the kumu gave the signal for dressing. The hula pa-u of the women was w
PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  



Top keywords:
printed
 

variety

 

Hawaiian

 
fringe
 

modesty

 
elaborate
 

Footnote

 

dressing

 

encircle

 

strung


screened

 
devoted
 

consisted

 

formal

 

Sometimes

 

ribbons

 

stripped

 

females

 

banana

 
hibiscus

sheets

 

termed

 
kilohana
 

decorative

 

obtained

 

balloon

 

coryphee

 
danseuse
 

volume

 
figures

signal

 

repaired

 

delicately

 

tinted

 
stamped
 

account

 

portion

 
ceremonious
 

inflicted

 

injuries


lovers

 
blemish
 

ancient

 

devotion

 

article

 

represented

 

female

 

important

 

attire

 

disfigurement