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of social and industrial depression Spain did not produce a poet worthy of the name. The condition of the nation was sensibly bettered under Charles III (reigned 1759-1788) who did what was possible to reorganize the state and curb the stifling domination of the Roman Church and its agents the Jesuits and the Inquisition. The Benedictine Feijoo (1675-1764) labored faithfully to inoculate Spain, far behind the rest of Europe, with an inkling of recent scientific discoveries. And the budding prosperity, however deceitful it proved, was reflected in a more promising literary generation. page xxix Nicolas FERNANDEZ DE MORATIN (1737-1780) followed the French rules in theory and wrote a few mediocre plays in accordance with them; but he showed that at heart he was a good poet and a good Spaniard by his ode _A Pedro Romero, torero insigne_, some _romances_ and his famous _quintillas_, the _Fiesta de toros en Madrid_. Other followers of the French, in a genre not, strictly speaking, lyric at all, were the two fabulists, Samaniego and Iriarte. F. Maria de SAMANIEGO (1745-1801) gave to the traditional stock of apologues, as developed by Phaedrus, Lokman and La Fontaine, a permanent and popular Castilian form. Tomas de IRIARTE (1750-1791), a more irritable personage who spent much time in literary polemics, wrote original fables (_Fabulas literarias_, 1781) directed not against the foibles of mankind in general, but against the world of writers and scholars. The best work which was done under the classical French influence, however, is to be found in the writers of the so-called Salamancan school, which was properly not a school at all. The poets who are thus classed together, Cadalso, Diego Gonzalez, Jovellanos, Forner, Melendez Valdes, Cienfuegos, Iglesias, were personal friends thrown together in the university or town of Salamanca, but they were not subjected to a uniform literary training and possessed no similarity of style or aim as did the men of the later Sevillan school. Jose de CADALSO (1741-1782), a dashing soldier of great personal charm killed at the siege of Gibraltar, is sometimes credited with founding the school of Salamanca. He was a friend of most of the important writers of his time and composed interesting prose satires; his verse (_Noches lugubres_, etc.) is not remarkable. FRAY DIEGO GONZALEZ (1733-1794) is one of the masters of page xxx idiomati
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