haracter; but acknowledges
the injustice of his proceedings, and resigns Emilia to Palamon. What
would Ovid have done on this occasion? He would certainly have made
Arcite witty on his deathbed. He had complain'd he was farther off
from possession by being so near, and a thousand such boyisms, which
Chaucer rejected as below the dignity of the subject. They who think
otherwise would by the same reason prefer Lucan and Ovid to Homer and
Virgil, and Martial to all four of them. As for the turn of words, in
which Ovid particularly excels all poets, they are sometimes a fault,
and sometimes a beauty, as they are us'd properly or improperly; but
in strong passions always to be shunn'd, because passions are serious,
and will admit no playing. The French have a high value for them;
and I confess, they are often what they call delicate, when they are
introduced with judgment; but Chaucer writ with more simplicity, and
followed nature more closely, than to use them. I have thus far, to
the best of my knowledge, been an upright judge betwixt the parties in
competition, not meddling with the design nor the disposition of it;
because the design was not their own, and in the disposing of it they
were equal. It remains that I say somewhat of Chaucer in particular.
In the first place, as he is the father of English poetry, so I hold
him in the same degree of veneration as the Grecians held Homer or the
Romans Virgil. He is a perpetual fountain of good sense, learn'd in
all sciences, and therefore speaks properly on all subjects as he knew
what to say, so he knows also when to leave off, a continence which
is practic'd by few writers, and scarcely by any of the ancients,
excepting Virgil and Horace. One of our late great poets[13] is sunk
in his reputation, because he could never forgive any conceit which
came in his way, but swept like a dragnet, great and small. There
was plenty enough, but the dishes were ill sorted, whole pyramids of
sweetmeats for boys and women, but little of solid meat for men.
All this proceeded not from any want of knowledge, but of judgment,
neither did he want that in discerning the beauties and faults of
other poets, but only indulg'd himself in the luxury of writing, and
perhaps knew it was a fault, but hop'd the reader would not find it.
For this reason, tho' he must always be thought a great poet he is
no longer esteem'd a good writer, and for ten impressions, which his
works have had in so many success
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