ture,
the clear stream purified of its dross, we find at least two more
qualities, which we call the tests of literature, and which determine its
permanence.

TESTS OF LITERATURE. The first of these is universality, that is, the
appeal to the widest human interests and the simplest human emotions.
Though we speak of national and race literatures, like the Greek or
Teutonic, and though each has certain superficial marks arising out of the
peculiarities of its own people, it is nevertheless true that good
literature knows no nationality, nor any bounds save those of humanity. It
is occupied chiefly with elementary passions and emotions,--love and hate,
joy and sorrow, fear and faith,--which are an essential part of our human
nature; and the more it reflects these emotions the more surely does it
awaken a response in men of every race. Every father must respond to the
parable of the prodigal son; wherever men are heroic, they will acknowledge
the mastery of Homer; wherever a man thinks on the strange phenomenon of
evil in the world, he will find his own thoughts in the Book of Job; in
whatever place men love their children, their hearts must be stirred by the
tragic sorrow of _Oedipus_ and _King Lear_. All these are but shining
examples of the law that only as a book or a little song appeals to
universal human interest does it become permanent.

The second test is a purely personal one, and may be expressed in the
indefinite word "style." It is only in a mechanical sense that style is
"the adequate expression of thought," or "the peculiar manner of expressing
thought," or any other of the definitions that are found in the rhetorics.
In a deeper sense, style is the man, that is, the unconscious expression of
the writer's own personality. It is the very soul of one man reflecting, as
in a glass, the thoughts and feelings of humanity. As no glass is
colorless, but tinges more or less deeply the reflections from its surface,
so no author can interpret human life without unconsciously giving to it
the native hue of his own soul. It is this intensely personal element that
constitutes style. Every permanent book has more or less of these two
elements, the objective and the subjective, the universal and the personal,
the deep thought and feeling of the race reflected and colored by the
writer's own life and experience.

THE OBJECT IN STUDYING LITERATURE. Aside from the pleasure of reading, of
entering into a new world and having