rather opens up in these three tremendous words a whole world of
speculation and imagination. When Faustus in the presence of Helen asks,
"Was this the face that launched a thousand ships?" he does not state a
fact or expect an answer. He opens a door through which our imagination
enters a new world, a world of music, love, beauty, heroism,--the whole
splendid world of Greek literature. Such magic is in words. When
Shakespeare describes the young Biron as speaking

In such apt and gracious words
That aged ears play truant at his tales,

he has unconsciously given not only an excellent description of himself,
but the measure of all literature, which makes us play truant with the
present world and run away to live awhile in the pleasant realm of fancy.
The province of all art is not to instruct but to delight; and only as
literature delights us, causing each reader to build in his own soul that
"lordly pleasure house" of which Tennyson dreamed in his "Palace of Art,"
is it worthy of its name.

The third characteristic of literature, arising directly from the other
two, is its permanence. The world does not live by bread alone.
Notwithstanding its hurry and bustle and apparent absorption in material
things, it does not willingly let any beautiful thing perish. This is even
more true of its songs than of its painting and sculpture; though
permanence is a quality we should hardly expect in the present deluge of
books and magazines pouring day and night from our presses in the name of
literature. But this problem of too many books is not modern, as we
suppose. It has been a problem ever since Caxton brought the first printing
press from Flanders, four hundred years ago, and in the shadow of
Westminster Abbey opened his little shop and advertised his wares as "good
and chepe." Even earlier, a thousand years before Caxton and his printing
press, the busy scholars of the great library of Alexandria found that the
number of parchments was much too great for them to handle; and now, when
we print more in a week than all the Alexandrian scholars could copy in a
century, it would seem impossible that any production could be permanent;
that any song or story could live to give delight in future ages. But
literature is like a river in flood, which gradually purifies itself in two
ways,--the mud settles to the bottom, and the scum rises to the top. When
we examine the writings that by common consent constitute our litera