f the magnificent ending: the
unselfish heroism of Beowulf, the great prototype of King Alfred; the
generous grief of his people, ignoring gold and jewels in the thought of
the greater treasure they had lost; the memorial mound on the low cliff,
which would cause every returning mariner to steer a straight course to
harbor in the remembrance of his dead hero; and the pure poetry which marks
every noble line. But the epic is great enough and simple enough to speak
for itself. Search the literatures of the world, and you will find no other
such picture of a brave man's death.

Concerning the history of _Beowulf_ a whole library has been written, and
scholars still differ too radically for us to express a positive judgment.
This much, however, is clear,--that there existed, at the time the poem was
composed, various northern legends of Beowa, a half-divine hero, and the
monster Grendel. The latter has been interpreted in various
ways,--sometimes as a bear, and again as the malaria of the marsh lands.
For those interested in symbols the simplest interpretation of these myths
is to regard Beowulf's successive fights with the three dragons as the
overcoming, first, of the overwhelming danger of the sea, which was beaten
back by the dykes; second, the conquering of the sea itself, when men
learned to sail upon it; and third, the conflict with the hostile forces of
nature, which are overcome at last by man's indomitable will and
perseverance.

All this is purely mythical; but there are historical incidents to reckon
with. About the year 520 a certain northern chief, called by the chronicler
Chochilaicus (who is generally identified with the Hygelac of the epic),
led a huge plundering expedition up the Rhine. After a succession of
battles he was overcome by the Franks, but--and now we enter a legendary
region once more--not until a gigantic nephew of Hygelac had performed
heroic feats of valor, and had saved the remnants of the host by a
marvelous feat of swimming. The majority of scholars now hold that these
historical events and personages were celebrated in the epic; but some
still assert that the events which gave a foundation for _Beowulf_ occurred
wholly on English soil, where the poem itself was undoubtedly written.

The rhythm of _Beowulf_ and indeed of all our earliest poetry depended upon
accent and alliteration; that is, the beginning of two or more words in the
same line with the same sound or letter. The lines were