e and childishness in his prose, and consent to perplex the friends
of advancement with making a type of their success out of so erring
though so great a man? Such slavishness, even to such greatness, is a
poor and unpromising thing, compared with an altogether unprejudiced
and forward-looking self-reliance. To have no faith in names has been
announced as one of their principles; and "God and Humanity" is their
motto. What, therefore, has Dante's name to do with their principles? or
what have the semi-barbarisms of the thirteenth century to do with the
final triumph of "God and Humanity?" Dante's lauded wish for that union
of the Italian States, which his fame has led them so fondly to identify
with their own, was but a portion of his greater and prouder wish to see
the whole world at the feet of his boasted ancestress, Rome. Not,
of course, that he had no view to what he considered good and just
government (for what sane despot purposes to rule without that?); but
his good and just government was always to be founded on the _sine qua
non_ principle of universal Italian domination.[35]

All that Dante said or did has its interest for us in spite of his
errors, because he was an earnest and suffering man and a great genius;
but his fame must ever continue to lie where his greatest blame does,
in his principal work. He was a gratuitous logician, a preposterous
politician, a cruel theologian; but his wonderful imagination, and
(considering the bitterness that was in him) still more wonderful
sweetness, have gone into the hearts of his fellow-creatures, and will
remain there in spite of the moral and religious absurdities with which
they are mingled, and of the inability which the best-natured readers
feel to associate his entire memory, as a poet, with their usual
personal delight in a poet and his name.

[Footnote 1: As notices of Dante's life have often been little but
repetitions of former ones, I think it due to the painstaking character
of this volume to state, that besides consulting various commentators
and critics, from Boccaccio to Fraticelli and others, I have diligently
perused the _Vita di Dante_, by Cesare Balbo, with Rocco's annotations;
the _Histoire Litteraire d'Italie,_ by Ginguene; the _Discorso sul Testo
della Commedia_, by Foscolo; the _Amori e Rime di Dante_ of Arrivabene;
the _Veltro Allegorico di Dante_, by Troja; and Ozanam's _Dante et la
Philosophie Catholique an Treixieme Siecle._]

[Footnote