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be placed in every corner, and a marble bust of the young AUGUSTUS will occupy the place of honour next to the grand piano, on which, will be ranged the framed cabinet photographs of interesting young men. Each photograph will bear upon it an appropriate inscription, announcing it to be, for instance, a gift "From BOBBY to TODDLEKINS." Nothing more is necessary for the perfect life of dilettantism, except to settle an afternoon for tea, and an evening for music. When this is done the Dilettante is complete. It is curious, however, that although he aims at being considered a poet, an artist, a dramatist, and a musical composer, the Dilettante rather affects the society of those who are amateurs of imperfect development, than of those who have attained fame by professional effort. Yet since his nature is tolerant, he does not exclude the latter from the scope of his benevolence, and they may occasionally be seen at his parties, wondering how so strange a medley of second-rate incompetencies can have been gathered together into one room. It is noticeable, that the Dilettante loves the society of ladies, and is not averse to encouraging amongst his intimates the belief, which none of them holds though all express it, that he is in reality a terrible fellow and much given to the destruction of domestic happiness. He finds a sense of rest and security in fancying that he is suspected of an intrigue. But it is somewhat remarkable, that the evil tongues which make sad havoc of many unwilling reputations are very slow to gratify the willing Dilettante in this respect. No Dilettante can be considered genuine, unless he expresses a pitying contempt for everything that is characteristically English, and for the unfortunate English who are imbued with the prejudices of their native land. He gives a practical expression to his scorn by quavering in a reedy voice, the feeble _chansonnettes_ of an inferior French composer, and by issuing a volume of poems in which the laws of English Grammar are trampled under foot, and the restrictions of English metre are defied. In his lyrical effusions he breathes the passionate desire of a great soul for Love that is not of the earth. He aspires to the stars, and invokes the memory of dead heroes, his intimates. He sets out to win imperishable glory amidst the embattled ranks of his country's foes. He lashes the cold and cruel heartlessness of the world with a noble scorn. He addresses the ske
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