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how his disloyalty had come to the knowledge of her who had wished him so well; and that not at second hand, but from himself to herself; what trouble she had taken to find him; and how (which stung him most) he had slept three nights in her company after all. [_After thinking some time he decides to follow her, and arrives in Brabant on the very day of her marriage: for she has, in the circumstances, kept her word to her parents._] Then he tried to go up to her and salute her, and make some wretched excuse for his fault. But he was not allowed, for she turned her shoulder on him, and he could never manage to speak to her all through the day. He even stepped forward once to lead her out to dance, but she refused him flatly before all the company, many of whom heard her. And immediately afterwards another gentleman came, who bade the minstrels strike up, and she stepped down from her dais in full view of Gerard and went to dance with him. And so did the disloyal lover lose his lady. Now whether this, as the book asserts and as is not at all improbable, is a true story or not, cannot matter to any sensible person one farthing. What does matter is that it is a by no means badly told story, that it resorts to no illegitimate sources or seasonings of interest, and that it offers opportunities for amplification and "diversity of administration" to almost any extent. One can fancy it told, at much greater length and with more or less adjustment to different times, by great novelists of the most widely varying classes--by Scott and by Dumas, by Charles Reade and by George Meredith, to mention no living writer, as might easily be done. Both hero and heroine have more character between them than you could extract out of fifty of the usual _nouvelles_, and each lends him or herself to endless further development. Not a few of the separate scenes--the good parents fussing over their daughter's intended cavalcade and her thrifty and ingenious objections; the journey of the uncle and niece (any of the first three of the great novelists mentioned above would have made chapters of this); the dramatic and risky passages at the castle _en Barrois_; the contrast of Katherine's passion and Gerard's sluggishness; and the fashion in which this latter at once brings on the lout's defeat and saves the lady from danger at his hands--all this is novel-matter of al
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