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The Project Gutenberg EBook of A History of the French Novel, Vol. 1, by George Saintsbury This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A History of the French Novel, Vol. 1 From the Beginning to 1800 Author: George Saintsbury Release Date: October 8, 2008 [EBook #26838] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK HISTORY OF FRENCH NOVEL, VOL. 1 *** Produced by Lee Dawei, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. A HISTORY OF THE FRENCH NOVEL MACMILLAN AND CO., LIMITED LONDON BOMBAY CALCUTTA MADRAS MELBOURNE THE MACMILLAN COMPANY NEW YORK BOSTON CHICAGO DALLAS SAN FRANCISCO THE MACMILLAN CO. OF CANADA. LTD. TORONTO A HISTORY OF THE FRENCH NOVEL (TO THE CLOSE OF THE 19TH CENTURY) BY GEORGE SAINTSBURY M.A. AND HON. D.LITT. OXON.; HON. LL.D. ABERD.; HON. D.LITT. DURH.; FELLOW OF THE BRITISH ACADEMY; HON. FELLOW OF MERTON COLLEGE, OXFORD; LATE PROFESSOR OF RHETORIC AND ENGLISH LITERATURE IN THE UNIVERSITY OF EDINBURGH VOL. I FROM THE BEGINNING TO 1800 MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1917 COPYRIGHT PREFACE In beginning what, if it ever gets finished, must in all probability be the last of some already perhaps too numerous studies of literary history, I should like to point out that the plan of it is somewhat different from that of most, if not all, of its predecessors. I have usually gone on the principle (which I still think a sound one) that, in studying the literature of a country, or in dealing with such general characteristics of parts of literature as prosody, or such coefficients of all literature as criticism, minorities are, sometimes at least, of as much importance as majorities, and that to omit them altogether is to risk, or rather to assure, an imperfect--and dangerously imperfect--product. In the present instance, however, I am attempting something that I have never, at such length, attempted before--the history of a Kind, and a Kind which has distinguished itself, as few others have done, by communicating to readers the _pleasure_ of literature. I might almost say that it is th
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