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King Isosi, living for ever,' and take a glance at futurity. The Babylonians are doubtless exercising their literary talents; but they will leave nothing worthy the name of book to the far posterity of fifty-four centuries hence. Thirteen centuries shall pass before Hammurabi, King of Babylon, drafts the code of laws that will be found at that time. Only after two thousand years shall Moses write on the origin of things, and the Vedas be arranged in their present form. It will be two-and-a-half thousand years before the Great King of Jerusalem will set in order many proverbs and write books so much resembling, in form and style, that of Ptah-hotep;[4] before the source and summit of European literature will write his world epics. For the space of years between Solomon and ourselves, great though it seem, is not so great as that between Solomon and Ptah-hotep. The number of extant texts of the class to which the subjoined immediately belong is not large in proportion to the rest of Egyptian MSS., {21} but they seem to be representative of the class, being diverse in date and subject, but similar in form. There is great uniformity in the arrangement of most of them, in the following respects. They have as title the word 'Instruction' (_seb'oyet_), and are written by a father for the advantage of his son; they are very poetic in their arrangement of words and phrases, and are usually divided into short sections or paragraphs by the use of red ink for the first sentence of each. Such is the Instruction of Ptah-hotep on morality (the finest of its class); the Instruction of King Amenemhe'et on the hollowness of friendship and other matters; the Instruction of Deu'of, the son of Kherti, on the excellence of the literary life; and others. In many respects and in many details they greatly resemble the didactic works of the _Old Testament_ and _Apocrypha_. These 'Instructions' were held in high esteem as text-books and writing exercises in schools--a circumstance to which we owe the preservation of many of them. For a considerable number of important and interesting poems, letters, and narratives are only known to us from school exercise-books. The pupil at the 'Chamber of Instruction' wrote out about three pages of these each day, as a means of improving his writing, as a model of style in composition, and for purposes of edification. These exercises {22} abound in errors of spelling and grammar, having somet
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