authenticity. I submit this simple question to the
reader. When a writer, in attempting to silence a publication, attacks
the character of its author, rather than the principles of the work
itself, is it not a proof that the work itself is unquestionable, and
that this writer is at a loss to find an argument against it?

But there is something so very ungenerous in this mode of replication,
as to require farther notice. For if this is the mode to be adopted in
literary disputes, what writer can be safe? Or who is there, that will
not be deterred from taking up his pen in the cause of virtue? There are
circumstances in every person's life, which, if given to the publick in
a malevolent manner, and without explanation, might essentially injure
him in the eyes of the world; though, were they explained, they would be
even reputable. The _cursory remarker_ has adopted this method of
dispute; but Mr. _Ramsay_ has explained himself to the satisfaction
of all parties, and has refuted him in every point. The name of this
_cursory remarker_ is _Tobin_: a name, which I feel myself
obliged to hand down with detestation, as far as I am able; and with an
hint to future writers, that they will do themselves more credit, and
serve more effectually the cause which they undertake, if on such
occasions they attack the work, rather than the character of the writer,
who affords them a subject for their lucubrations.

Nor is this the only circumstance, which induces me to take such
particular notice of the _Cursory Remarks_. I feel it incumbent
upon me to rescue an injured person from the cruel aspersions that have
been thrown upon him, as I have been repeatedly informed by those, who
have the pleasure of his acquaintance, that his character is
irreproachable. I am also interested myself. For if such detraction is
passed over in silence, my own reputation, and not my work, may be
attacked by an anonymous hireling in the cause of slavery.

The _Apology for Negroe Slavery_ is almost too despicable a
composition to merit a reply. I have only therefore to observe, (as is
frequently the case in a bad cause, or where writers do not confine
themselves to truth) that the work refutes itself. This writer, speaking
of the slave-trade, asserts, that people are never kidnapped on the
coast of _Africa_. In speaking of the treatment of slaves, he
asserts again, that it is of the very mildest nature, and that they live
in the most comfortable and happy m