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ed. Meanwhile, in the land of Israel a dove with silver wings was seen by the courtiers of King David fluttering about, apparently in great distress, which signified to the wise men that their royal master was in danger of his life. Abishai, one of David's counsellors, at once determined to go and succour his sovereign, and accordingly mounted the king's horse, and in a few minutes was in the land of the Philistines. On arriving at Ishbi's house, he discovered that gentleman's venerable mother spinning at the door. The old lady threw her distaff at the Israelite, and, missing him, desired him to bring it back to her. Abishai returned it in such a manner that she never afterwards required a distaff. This little incident was witnessed by Ishbi, who, resolving to rid himself of one of his enemies forthwith, took David from beneath the wine-press, and threw him high into the air, expecting that he would fall upon his spear, which he had previously fixed into the ground. But Abishai pronounced the Great Name (often referred to in the Talmud), and David, in consequence, remained suspended between earth and sky. In the sequel they both unite against Ishbi, and put him to death.[73] [72] That the arch-fiend could, and often did, assume various forms to lure men to their destruction was universally believed throughout Europe during mediaeval times and even much later; generally he appeared in the form of a most beautiful young woman; and there are still current in obscure parts of Scotland wild legends of his having thus tempted even godly men to sin.--In Asiatic tales rakshasas, ghuls (ghouls), and such-like demons frequently assume the appearance of heart-ravishing damsels in order to delude and devour the unwary traveller. In many of our old European romances fairies are represented as transforming themselves into the semblance of deer, to decoy into sequestered places noble hunters of whom they had become enamoured. [73] The "Great Name" (in Arabic, _El-Ism el-Aazam_, "the Most Great Name"), by means of which King David was saved from a cruel death, as above, is often employed in Eastern romances for the rescue of the hero from deadly peril, as well as to enable him to perform supernatural exploits. It was generally engraved on a signet-ring, but sometimes it was c
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