_Po_. In short, it is quite peculiar
to itself--and cannot be surpassed.
[69] It is thus prettily observed in the little _Itineraire de Rouen_
--"Ces agreables maisons de plaisance appartiennent a des habitants de
Rouen qui y viennent en famille, dans la belle saison, se delasser des
embarras de la ville et des fatigues du commerce." p. 153.
[70] _race-ground_]--When the English cavalry were quartered here in
1814-5, the officers were in the frequent habit of racing with each
other. These races were gaily attended by the inhabitants; and I
heard, from more than one mouth, the warmest commendations bestowed
upon the fleetness of the coursers and the skill of the riders.
LETTER VIII.
EARLY TYPOGRAPHY AT ROUEN. MODERN PRINTERS. CHAP BOOKS. BOOKSELLERS. BOOK
COLLECTORS.
Now for a little gossip and chit-chat about _Paper, Ink, Books,
Printing-Offices_, and curiosities of a GRAPHIC description. Perhaps the
most regular method would be to speak of a few of the principal _Presses_,
before we take the _productions_ of these presses into consideration. And
first, as to the antiquity of printing in Rouen.[71] The art of printing is
supposed to have been introduced here, by a citizen of the name of MAUFER,
between the years 1470 and 1480. Some of the specimens of Rouen _Missals_
and _Breviaries_, especially of those by MORIN, who was the second printer
in this city, are very splendid. His device, which is not common, and
rather striking, is here enclosed for your gratification.
[Illustration]
Few provincial towns have been more fertile in typographical productions;
and the reputation of TALLEUR, GUALTIER, and VALENTIN, gave great
respectability to the press of Rouen at the commencement of the sixteenth
century.
Yet I am not able to ascertain whether these presses were very fruitful in
Romances, Chronicles, and Old Poetry. I rather think, however, that they
were not deficient in this popular class of literature, if I am to judge
from the specimens which are yet lingering, as it were, in the hands of the
curious. The gravity even of an archiepiscopal see could never repress the
natural love of the French, from time immemorial, for light and fanciful
reading.
You know with what pertinacity I grope about old alleys, old courts,
by-lanes, and unfrequented corners--in search of what is curious, or
precious, or rare in the book way. But ere we touch that enchanting chord,
let us
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