one
another. Then his +Aparts+ or +Asides+ (that is when one +Actor+
speaks something which another that is present is suppos'd to not
hear, tho' the Audience do) are sometimes too long to be perfectly
natural. Whether he has not sometimes too much Elevation of Passion,
or Borders too nigh upon +Tragedy+ for such inferior Persons, we
leave to others. These are the main things to be taken notice of by
all that make use of him for a +Model+, besides all such as belong
purely to the various Customs of Countries, and to the difference of
+Theatres+; but those are obvious enough to all.
But there's still one great Objection against these +Plays+ in
general; that is, +If _Terence_'s Plays are so good as is pretended,
why doesn't some Poet or other translate one or more of 'em for the
Stage, so save himself the trouble of racking his Brain for new
Matter+. We own they wouldn't take upon our Stage; but to clear all,
we shall give these two Reasons: First, The Difference between the
+Romans+ and our selves in +Customs+, +Humors+, +Manners+ and
+Theatres+ is such, that it is impossible to adapt their Plays to
our Stages. The +Roman+ Plots were often founded upon the exposing
of Children, and their unexpected Delivery, on buying of Misses and
Musick-Girls; they were chiefly pleas'd to see a covetous old Father
neatly bubbled by his Slave of a round Sum of Money; to find the
young Spark his Son (miserably in want of Cash) joyn with the Slave
in the Intrigue, that he may get somewhat to stop his Mistress's
Mouth, whom he keeps unknown to his Father; to see a bragging
Coxcomb wheadled and abus'd by some cunning +Parasite+; to hear a
Glutton talk of nothing but his Belly, and the like. Our +Plots+ go
chiefly upon variety of Love-Intrigues, Ladies Cuckolding their
Husbands most dextrously; Gallants danger upon the same account,
with their escape either by witty Fetches, or hiding themselves in
dark Holes, Closets, Beds, &c. We are all for Humour, Gallantry,
Conversation, and Courtship, and shou'dn't endure the chief Lady in
the Play a Mute, or to say very little, as 'twas agreeable to them:
Our amorous Sparks love to hear the pretty Rogues prate, snap up
their Gallants, and Repartee upon 'em on all sides. We shou'dn't
like to have a Lady marry'd without knowing whether she gives her
consent or no, (a Custom among the +Romans+) but wou'd be for
hearing all the Courtship, all the rare and fine things that Lovers
can say to each other
|