l expression in works, 23;
canonic style, 36;
Symphonic Variations, _Istar_, 67;
comments on the Sonata-form, 95, 100;
comment on Beethoven's _Seventh Symphony_, 131;
comment on _Sonata Pathetique_, 142;
comments on D major Sonata, 145;
comments on _Fifth Symphony_, 145;
Life of Beethoven, 159;
comments on Franck's themes, 268;
biography and features of style, 280-282;
_Istar_, analysis of, 283-287.

dissonance, discord, distinction between terms, 143.

Dohnanyi, 328.

Dominant, acoustical and harmonic importance of, 22-23, 52.

_Don Giovanni_, 111, 119.

_Don Juan_, 85.

_Don Quixote_, 89.

Dorian mode, 24.

Dostoyevsky, 314, 319, 320.

Doumic, Rene, essay on George Sand, 189.

Dowland, John, his _Pavans_, 80.

Duparc, Henri, account of his style, 298.

Dvo[vr]ak, _New World Symphony_, 9, 21;
modal expression in works, 23;
_New World Symphony_ (Aeolian mode), 26;
_Suite for Orchestra_, 79;
works and features of style, 322-324.

E

Eichendorff, texts for Schumann's songs, 176.

_Eighth Symphony_ of Beethoven, Finale, 157.

Elgar, Edward, works and features of style, 328-329.

Ellis, W.A., translation of Wagner's Essays, 154.

Enesco, 327.

enharmonic, modulation, 52-53.

episode, definition of, 39-40.

exposition of Sonata-form, 96.

extended cadences, 62-63.

F

_F major Sonata_ of Mozart, analysis of, 113-115.

Fairchild, Blair, 329.

_Fantastic Symphony_, analysis of, 207-211;
quotation from, 207-209.

Farwell, Arthur, on folk-music, 33.

Faure, Gabriel, account of style, 297-298.

_Faust_ Symphony, analysis of, 223-226.

Fay, Amy, account of Liszt, 217.

feminine ending, 57.

Fibich, 321.

Finck, H.T., _Songs and Song Writers_, 265;
_Chopin and Other Essays_, 198;
comments on Program Music, 226;
biography of Grieg, 324.

Fitzwilliam Virginal Book, 79, 152.

five-bar rhythm, 63-64.

Flonzaley Quartet, 105.

folk-songs, principle of restatement in, 16;
origin and importance of, 19-33.

Foote, Arthur, fugal Finale to _Suite_, 41, 329.

Forsyth, Cecil, eulogy of Mendelssohn, 185.

_Francesca da Rimini_, 154.

Franck, _Symphony_, 8, 15;
polyphonic structure, 13;
canonic style, 36;
canon in _Symphony_, 37;
in _Violin Sonata_, 37;
_Fugue in B minor for Pianoforte_, 41;
comparison of his scoring with that of Schumann, 181;
limitations of his pianoforte style, 190;
his fusion of movements compa