onic importance, 22-23, 52.

subject (of a fugue), 42-43.

suite, the classical, 73-80;
the modern, 80-81.

_Suites, French and English_, 74.

Sullivan, Arthur, operas, 328.

_Sumer is icumen in_ (Ionian mode) 27.

Surette, T.W., comments on Bach's style, 48, 72;
_Development of Symphonic Music_, 159.

_Surprise Symphony_, analysis of, 106-108.

Svendsen, 324.

Sweelinck, 34.

Symonds, Arthur, _Studies in the Seven Arts_, 159.

_Symphonic Etudes_, 88.

symphonic poem, definition of, 149, 220.

symphonic style, development of, 228-231.

T

Tallys, Thomas, vocal canon, 37.

_tambourin_, 71.

_tango_, 76.

_tarantella_, 75.

Taylor, Bayard, translation of stanza from _Faust_, 225.

Tchaikowsky, Modeste, biography of his brother, 306.

Tchaikowsky, P., _Fifth Symphony_, 8, 21;
analysis of, 306-314;
modal expression in works, 23;
_Legend_ (Aeolian mode), 26;
_Fourth Symphony_, finale of, 33;
analysis of, 305;
_Sixth Symphony_, 67;
analysis of, 305-306;
_Quartet in F major_, 67-68;
variations from Trio, 89;
estimate of Mozart, 111, 121;
biography, 302-303;
features of style, 303-305.

Thackeray, W.M., characterization of Berlioz, 204.

Thayer, Alexander, _Life of Beethoven_, 159.

thematic development, 34.

three-bar rhythm, 65-66.

three-part form, complete account of, 72-73;
examples of, 73.

Tiersot, J., on folk-melodies, 21;
_Chansons Populaires_, 30;
work on Berlioz, 207.

_Till Eulenspiegel_, 85.

Tolstoi, 315, 319, 320.

tonality, principles of, 50-51.

tonic, acoustical and harmonic importance of, 22-23.

_Tragic Overture_, Brahms, 233.

transformation of theme, its use in Schumann, 182.

Turgenieff, 315.

two-part form, definition of, 38;
complete account of, 69-72.

V

Van Vechten, book on Spanish music, 328.

variation form, account of, 85-91.

_Variations, in F minor_ of Haydn, 87;
on _Death and the Maiden_, 88;
_Serieuses_, 88;
_on a Theme from Handel_, 88;
on the _St. Anthony Choral_, 88;
(_Enigma_) by Elgar, 89;
_Symphoniques_, 89.

Verdi, Minuet from _Falstaff_, 78.

Veretschagin, 320.

Verlaine, 293.

_Violin Concerto_ of Beethoven, 156-157.

Vittoria, 327.

Vivaldi, 70.

von Breuning family, 125.

W

Wagner, comment on operas, 4;
quality of themes, 8;
motive from the _Valkyrie_, 12;
polyphonic structure of operas, 13;
motive from _Tristan and Isolde_, 17;
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