y_, 41.

Purcell, 70;
his Jig, 71.

Pushkin, 314.

Q

Quilter, Roger, 329.

R

Rabelais, his humor compared with Beethoven's, 150, 157.

Rameau, acoustical reforms of, 23, 70, 74, 81, 85;
descriptive pieces, 152, 255.

Ravel, _Daphnis and Chloe_, 68;
his Pavane, 79;
_Mother Goose Suite_, 81;
works and account of style, 299-300.

recapitulation (or _resume_), 98-99.

Reinecke, Canonic Vocal Trios, 37.

Remenyi, Brahms's tour with, 232.

repetition, importance of, 12, 13;
types of, 14-18.

Rheinberger, _Canonic Pieces_, 87;
_Tarantelle_ for Pianoforte, 79.

rhythmic variety (five and seven beats a measure), 66-68.

Richter, Jean Paul, influence on Schumann, 172.

Riemann, 93.

_rigaudon_, 75;
examples of, from Grieg, Rameau and MacDowell, 79, 81.

Rimsky-Korsakoff, works and features of style, 317.

_Roi d'Ys, Le_, 256.

Rolland, Romain, account of Beethoven in _Jean Christophe_, 125;
_Life of Beethoven_, 159;
essay on Berlioz, 207.

Romanticism and Romantic School, account of, 160-165.

_Romeo and Juliet_ Symphony, comments on, 215-216.

rondo, account of, 81-85.

rondo-sonata form, 144.

Ropartz, 257;
characterization of a theme in Franck's Symphony, 266.

Rossetti, _Blessed Damozel_, set by Debussy, 288.

Rossini, "crescendo" in Overtures, 62;
eulogy of Mozart, 121.

_Rouet d'Omphale, Le_, 256.

round, 11;
_Old English Rounds_, 12.

rubato (tempo), definition of, 199.

Rubinstein, movements in _Ocean Symphony_, 95;
estimate of Mozart, 111;
characterization of the damper pedal, 191.

Runciman, quotation apropos of Weber from _Old Scores and New Readings_,
169-170.

Russian folk-songs, 30-33.

Russian music, general tendencies of, 314-315.

S

Saint-Saens, 1, 2;
comment on Berlioz's _Romeo and Juliet Symphony_, 216;
account of works and style, 255-256.

_Sakuntala_, 154.

_saltarello_, 75;
Berlioz's use of the rhythm, 211.

Sammartini, as a pioneer in Sonata-form, 93.

Santayana, 5.

_sarabande_, 75, 76, 77.

Scandinavian Music, 324.

Scarlatti, Alessandro, Aria da capo, 14;
operatic overture, 119.

Scarlatti, D., the _Cat-Fugue_, 48;
as virtuoso, 74;
anticipation of Sonata-form, 93;
_Courante_ for pianoforte, 79;
crossing of hands in Beethoven, 141, 144.

Schumann, 7;
motive from the _Carnaval_, 13;
from the _Kinderscenen_, 13;
_Arabesque_, 14:
saying about folk-songs, 20;
Can