on for organ, 36;
Canonic Variations, 37;
_Carnaval_, 68;
_Phantasiestuecke_, 68;
his use of the Rondo, 82-83;
Variations, 88;
comment on Schubert, 166;
biography and features of style, 172-174;
analysis of _Des Abends_, 174-175;
of _Warum_, 175-176;
of _Novellette in E major_, 176;
of Song, _Mondnacht_, 176-177;
of _Manfred_ Overture, 177-179;
characterization of the four Symphonies, 179;
_Symphony in D minor_, analysis of, 179-184;
eulogy of Brahms in the _Neue Zeitschrift_, 232.

Schola Cantorum, account of, 282.

Scottish folk-tune, 28.

Scryabin, as harmonic innovator, 143;
works and features of style, 327.

_seguidilla_, 76, 79.

sentence, complete analysis of, 53, 54.

sequence, definition of, 38.

_Scheherazade Suite_, 81.

scherzo, of Beethoven, 128-129.

Schmitt, Florent, 280.

Schubert, 21;
Variations, 88;
account of style and works, 162-169;
character of songs, 165;
symphonic style, 166;
chamber music, 166;
pianoforte style, 167;
as great colorist, 167-168;
analysis of _Unfinished Symphony_, 167-169.

seven-bar rhythm, 66.

Shakespeare, 1;
apropos of the galliard, 80.

Sharp, Cecil, _English Folk-Song_, 27;
on American folk-songs, 33.

Shepherd, Arthur, 329.

Shedlock, J.S., 93, 100.

shifted rhythm, 46.

Sibelius, features of his style, 230, 324, 327.

_siciliano_, 76.

Sinding, 325.

Sinigaglia, Overture, 99.

Sjoegren, 324.

Smetana, _Bartered Bride Overture_, 40, 121;
works and features of style, 321-322.

Smith, Stanley, 329.

Smithson, Henrietta, her life with Berlioz, 204-205.

sonata and sonata-form, distinction between, 94-95.

sonata-form, account of 91-100;
tabular view, 100.

_Song of Destiny_, Brahms, 233.

_Songs without Words_, Mendelssohn, 185.

Spanish music, its influence in modern times, 327-328.

Spitta, essay on Brahms, 238.

Stamitz, J., influence on Sonata-form, 93.

Stanford, Villiers, Irish folk-songs, 29;
features of style, 328.

Stanford-Forsyth history, 121, 328.

Stendhal, remark on Romanticism, 161.

_Stevensoniana_, 80.

Strauss, R., motive from _Till's Merry Pranks_, 18;
_Don Juan_, 85;
_Till Eulenspiegel_, 85;
estimate of Mozart, 111.

Stravinsky, as harmonic innovator, 143;
works and features of style, 326-327.

Streatfield, essay on Tchaikowsky, 306.

stretto, 46.

string-quartet, definition of, 94.

subdominant, acoustical and harm