red with that of Brahms, 251;
biography, 256-257;
features of style, 257-258;
analysis of _D minor Symphony_, 259-268;
of _Sonata for Violin_, 268-274;
use of generative themes, 268;
_Symphonic Variations_, 274-280;
comparison of his style with that of Bach and Beethoven, 274;
his group of pupils, 280.

French folk-song, 29.

French Overture, 119.

Frescobaldi, 34.

Friedlaender, Max, apropos of Chabrier, 281.

fugue, 11;
definition of, 39.

Fuller-Maitland, life of Brahms, 238.

_furiant_, 75, 321.

G

_G major Pianoforte Concerto_ of Beethoven, 152-158.

_G minor Symphony_, analysis of, 115-119.

Gade, Neils, 324.

_galliard_, 75, 80.

Galuppi, as a pioneer in Sonata-form, 93.

Gardiner, Balfour, 329.

Gautier, Theophile, eulogy of Berlioz, 207.

_gavotte_, 75;
account of, and examples, 78-79.

Gilbert, H.F., on folk-songs, 20, 33, 329.

Gilman, Lawrence, essay on Berlioz, 214;
comments on _Istar_, 283;
essay on Debussy, 293;
comments on _Pelleas el Melisande_, 297.

Glinka, 301, 315.

Gluck, Ballet music, 87;
Operatic Overtures, 119.

Goethe, eulogy on Mozart, 112.

Gogol, 314, 320.

Gosse, Edmund, comment on Mallarme's eclogue, 293.

Gossec, as a pioneer in Sonata-form, 93.

Granados, Spanish folk-dance, 167;
works, 327.

Gregorian Chant, 10.

Gregorian modes in folk-songs, 20.

Gretry, comments on Sonata-form, 98, 255.

Grieg, 21;
Canon for Pianoforte, 37;
_Peer Gynt Suite_, 80;
_Holberg Suite_, 80;
works and features of style, 324-325.

ground bass, 86;
from Bach's Mass, 86.

Grove, _Beethoven and his Nine Symphonies_, 130.

Grove's _Dictionary_, 70, 73, 79, 81, 86, 104, 119, 154, 161, 172, 200,
217, 238.

Guilmant, March in Dorian Mode, 24;
Canon for Organ, 36.

Gurney, _The Power of Sound_, 2.

H

_habanera_, 76.

Habets, Alfred, account of Borodin and Liszt, 316.

Hadley, Henry, 329.

Hadow, W.H., 72, 81, 92, 96;
_Studies in Modern Music_, 184, 198, 207, 238;
essay on Dvo[vr]ak, 321;
article on Scryabin, 326.

Hale, Philip, comments on Saint-Saens, 256;
comments on Lalo, 256;
essay on Mozart, 112;
comments on _Scheherazade_, 317-318.

_halling_, 76.

Handel, fugue from the Messiah, 41;
_Harpsichord Lessons_, 74;
Air in Sarabande rhythm, 77;
_Harmonious Blacksmith_, 86;
Overture to _Messiah_, 119.

Harmonic Series, 51.

_Harold in Italy_ Symphony, analysis of, 214