_Espana_, 80, 297;
Overture to _Gwendoline_, 99, 297;
account of style, 297.

_chaconne_, 86;
Bach's for violin solo, 87.

Chadwick, _Canonic Studies_, 36;
fugal passage in _Vagrom Ballad_, 41, 329.

Chamisso, texts for Schumann's songs, 170.

Chantavoine, Life of Beethoven, 159.

Charpentier, _Impressions of Italy_, 80.

Chausson, Ernest, account of style, 298.

Chavannes, Puvis de, compared with Franck, 258.

Chopin, type of melody, 10, 21;
_Sonata in C minor_, 67;
biography and features of style, 188-189;
analysis of _Prelude in C major_, 198;
_Etude in A-flat major_, 199;
_Mazurka in F-sharp minor_, 199;
analysis of _Polonaise in E-flat minor_, 200;
of _Barcarolle_, 200-201;
of _Scherzo in C-sharp minor_, 201.

chromatic changes, 51.

Clapp, P.G., 48, 329.

coda, definition and examples of, 99.

color, in different keys, 51.

Combarieu, Jules, 2.

Converse, F.S., Dramatic Poem, _Job_ (Phrygian mode), 26;
_String Quartet_, 99, 329.

Corelli, 70, 74.

_Coriolanus_ Overture, analysis of, 152-156.

counterpoint, definition of, 11.

counter-subject (of a fugue), 42.

Couperin, 70, 74, 81, 85;
descriptive pieces, 152, 255.

_courante_ (_corrente_), 75.

Croatian Folk-songs (in Haydn), 101-102.

_csardas_, 76.

D

_D major Sonata_ of Beethoven, analysis of, 140-145.

_D Minor Symphony_ of Schumann, 179-184.

d'Albert, _Suite for Pianoforte_, 78.

_Damnation of Faust_, instrumental numbers from, 213-214.

Daniels, Mabel, 329.

Dannreuther, eulogy on Beethoven, 159;
comment on Berlioz's counterpoint, 209.

Dargomijsky, use of whole-tone scale, 289.

Debussy, modal expression in works, 23, 288-289;
_Pelleas et Melisande_ (Dorian mode), 24;
comments upon, 294;
_Minstrels_ (cadence in), 55-56;
_Sarabande_ for pianoforte, 77;
comment on development, 97;
compared with Mendelssohn, 185;
apropos of new music, 204;
features of style, 287-297;
whole-tone scale, 289-290;
titles of pianoforte pieces, 292-293;
on his pianoforte style, 295-296.

de Musset, quotation apropos of Grieg, 325.

deceptive cadence, 56.

Dent, E.J., _Mozart's Operas_, 112.

De Pachman, playing of Mendelssohn's pieces, 185.

De Quincey, quotation from the _Dream Fugue_, 49.

_Deutsches Requiem_, 233.

development section of Sonata-form, 93-94, 97-98.

Dickinson, Edward, estimate of Haydn, 101.

diminution, definition of, 44.

d'Indy, moda