rgsky, works and features of style, 318-320.

Mozart, _Magic Flute_ Overture, 40;
Finale of _Jupiter_ Symphony, 40, 81;
biography, 108-110;
features of style, 110-112;
Mozart and Haydn, reactive influence, 110-111;
polyphonic skill, 110, 112;
dramatic power, 111;
examples from works, 113-121.

Mundy, John, descriptive pianoforte piece, 152.

_musette_, 78.

_Mystic Trumpeter_, 154.

N

National Music, distinctive features of, 300-301.

Neefe, Beethoven's teacher, 124.

_Neue Zeitschrift fuer Musik_, founded by Schumann, 174.

_New World Symphony_, critical comments on, 323-324.

Newman, _Musical Studies_, 154, 178, 207;
comment on Debussy, 296.

Newmarch, Rosa, _Life of Tchaikovsky_, 305.

Niecks, _Programme Music_, 152, 214, 221, 305;
_Life of Chopin_, 198;
eulogy of Liszt, 228.

Nordraak, 324.

O

Organ, the, its tone compared with that of pianoforte, 191.

organum, 10.

_Orpheus_, Symphonic Poem, analysis of, 221-222.

Osgood, George L., 329.

overtones, chart of, 193.

_Oxford History of Music_, 10, 12, 102, 103, 110, 119, 161, 165, 185,
216, 221, 226.

P

Paderewski, 77;
Minuet of, 78;
playing of Mendelssohn's pieces, 185.

Paganini, connection with Berlioz, 214.

Paine, J.K., _Fuga Giocosa_, 46, 49;
tribute to Beethoven, 129, 329.

Palestrina, 34.

Parker, H.W., fugue from _Hora Novissima_, 41, 329.

Parry, _Evolution of the Art of Music_, 9, 16, 21, 69, 70;
choral works, 328.

_Passacaglia_, 86;
of Brahms, 86;
of Bach for organ, 87.

_passepied_, 75.

Pater, Walter, remark on Romanticism, 161.

_pavane_, 75;
example from Ravel, 79.

pedals of the pianoforte, the damper and the una corda, 192-195.

_Peer Gynt_ Suite, 80.

period, definition of, 50.

Perotin, 34.

Perry, Baxter, 90.

_Phaeton_, 256.

Philidor, 255.

Phrygian cadence, 24-25.

Phrygian mode, 23;
Brahms's use of, 239.

pianoforte, the, account of its characteristics, 189-195.

plagal cadence, 55.

_polka_, 75, 321.

_polonaise_, 75.

polyphonic, 10.

polyphonic music, complete account of, 33-49.

Poiree, Elie, Life of Chopin, 198.

Pope, apropos of the jig, 80.

Pougin, Arthur, comments on Moussorgsky, 318-319.

Powell, John, 329.

Pratt, _History of Music_, 10, 93, 159, 161.

prelude (to Sonata-form), 99.

_Prix de Rome_, won by Berlioz, 205;
by Debussy, 288.

Prout, 85.

Puccini, fugal prelude to _Madama Butterfl