our collections of Extracts, and are the parts
of his Work which, after all, were probably most efficient in first
recommending the author to general notice. Pope, repaying praises
which he had received, and wishing to extol him to the highest, only
styles him 'an elegant and philosophical Poet'; nor are we able to
collect any unquestionable proofs that the true characteristics of
Thomson's genius as an imaginative poet[10] were perceived, till
the elder Warton, almost forty years after the publication of the
_Seasons_, pointed them out by a note in his Essay on the _Life and
Writings of Pope_. In the _Castle of Indolence_ (of which Gray
speaks so coldly) these characteristics were almost as conspicuously
displayed, and in verse more harmonious and diction more pure. Yet
that fine poem was neglected on its appearance, and is at this day the
delight only of a few!
When Thomson died, Collins breathed forth his regrets in an Elegiac
Poem, in which he pronounces a poetical curse upon _him_ who should
regard with insensibility the place where the Poet's remains were
deposited. The Poems of the mourner himself have now passed through
innumerable editions, and are universally known, but if, when Collins
died, the same kind of imprecation had been pronounced by a surviving
admirer, small is the number whom it would not have comprehended. The
notice which his poems attained during his lifetime was so small, and
of course the sale so insignificant, that not long before his death
he deemed it right to repay to the bookseller the sum which he had
advanced for them and threw the edition into the fire.
Next in importance to the _Seasons_ of Thomson, though a considerable
distance from that work in order of time, come the _Reliques of
Ancient English Poetry_, collected, new-modelled, and in many
instances (if such a contradiction in terms may be used) composed by
the Editor, Dr Percy. This work did not steal silently into the world,
as is evident from the number of legendary tales, that appeared not
long after its publication, and had been modelled, as the authors
persuaded themselves, after the old Ballad. The Compilation was,
however ill suited to the then existing taste of city society, and Dr
Johnson, 'mid the little senate to which he gave laws, was not
sparing in his exertions to make it an object of contempt. The critic
triumphed, the legendary imitators were deservedly disregarded, and
as undeservedly, their ill imitated
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