in a world that is newly created,
poetry awakes with him. In the face of the marvellous things that
dazzle and intoxicate him, his first speech is a hymn simply. He is
still so close to God that all his meditations are ecstatic, all his
dreams are visions. His bosom swells, he sings as he breathes.
His lyre has but three strings--God, the soul, creation; but this
threefold mystery envelopes everything, this threefold idea embraces
everything. The earth is still almost deserted. There are families,
but no nations; patriarchs, but no kings. Each race exists at its own
pleasure; no property, no laws, no contentions, no wars. Everything
belongs to each and to all. Society is a community. Man is restrained
in nought. He leads that nomadic pastoral life with which all
civilizations begin, and which is so well adapted to solitary
contemplation, to fanciful reverie. He follows every suggestion,
he goes hither and thither, at random. His thought, like his life,
resembles a cloud that changes its shape and its direction according
to the wind that drives it. Such is the first man, such is the first
poet. He is young, he is cynical. Prayer is his sole religion, the ode
is his only form of poetry.
This ode, this poem of primitive times, is Genesis.
By slow degrees, however, this youth of the world passes away. All
the spheres progress; the family becomes a tribe, the tribe becomes a
nation. Each of these groups of men camps about a common centre, and
kingdoms appear. The social instinct succeeds the nomadic instinct.
The camp gives place to the city, the tent to the palace, the ark to
the temple. The chiefs of these nascent states are still shepherds,
it is true, but shepherds of nations; the pastoral staff has already
assumed the shape of a sceptre. Everything tends to become stationary
and fixed. Religion takes on a definite shape; prayer is governed by
rites; dogma sets bounds to worship. Thus the priest and king share
the paternity of the people; thus theocratic society succeeds the
patriarchal community.
Meanwhile the nations are beginning to be packed too closely on the
earth's surface. They annoy and jostle one another; hence the clash
of empires--war. They overflow upon another; hence, the migrations of
nations--voyages. Poetry reflects these momentous events; from ideas
it proceeds to things. It sings of ages, of nations, of empires. It
becomes epic, it gives birth to Homer.
Homer, in truth, dominates the society o
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