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n. The consequence was that before he had completed two years of residence in Padua, his first long poem, the _Rinaldo_, saw the light. In another chapter I mean to discuss the development of Tasso's literary theories and achievements. It is enough here to say that the applause which greeted the _Rinaldo_, conquered his father's opposition. Proud of its success, Bernardo had it printed, and Torquato in the beginning of his nineteenth year counted among the notable romantic poets of his country. At the end of 1563, Tasso received an invitation to transfer himself from Padua to Bologna. This proposal came from Monsignor Cesi, who had recently been appointed by Pope Pius IV. to superintend public studies in that city. The university was being placed on a new footing, and to secure the presence of a young man already famous seemed desirable. An exhibition was therefore offered as an inducement; and this Tasso readily accepted. He spent about two years at Bologna, studying philosophy and literature, planning his Dialogues on the Art of Poetry, and making projects for an epic on the history of Godfred. Yet in spite of public admiration and official favor, things did not go smoothly with Tasso at Bologna. One main defect of his character, which was a want of tact, began to manifest itself. He showed Monsignor Cesi that he had a poor opinion of his literary judgment, came into collision with the pedants who despised Italian, and finally uttered satiric epigrams in writing on various members of the university. Other students indulged their humor in like pasquinades. But those of Tasso were biting, and he had not contrived to render himself generally popular. His rooms were ransacked, his papers searched; and finding himself threatened with a prosecution for libel, he took flight to Modena. No importance can be attached to this insignificant affair, except in so far as it illustrates the unlucky aptitude for making enemies by want of _savoir vivre_ which pursued Tasso through life. His real superiority aroused jealousy; his frankness wounded the self-love of rivals whom he treated with a shadow of contempt. As these were unable to compete with him in eloquence, or to beat him in debate, they soothed their injured feelings by conspiracy and calumny against him. In an age of artifice and circumspection, while paying theoretical homage to its pedantries, and following the fashion of its compliments, Tasso was nothing if not spon
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