n. The
consequence was that before he had completed two years of residence in
Padua, his first long poem, the _Rinaldo_, saw the light. In another
chapter I mean to discuss the development of Tasso's literary theories
and achievements. It is enough here to say that the applause which
greeted the _Rinaldo_, conquered his father's opposition. Proud of its
success, Bernardo had it printed, and Torquato in the beginning of his
nineteenth year counted among the notable romantic poets of his
country.
At the end of 1563, Tasso received an invitation to transfer himself
from Padua to Bologna. This proposal came from Monsignor Cesi, who had
recently been appointed by Pope Pius IV. to superintend public studies
in that city. The university was being placed on a new footing, and to
secure the presence of a young man already famous seemed desirable. An
exhibition was therefore offered as an inducement; and this Tasso
readily accepted. He spent about two years at Bologna, studying
philosophy and literature, planning his Dialogues on the Art of Poetry,
and making projects for an epic on the history of Godfred. Yet in spite
of public admiration and official favor, things did not go smoothly with
Tasso at Bologna. One main defect of his character, which was a want of
tact, began to manifest itself. He showed Monsignor Cesi that he had a
poor opinion of his literary judgment, came into collision with the
pedants who despised Italian, and finally uttered satiric epigrams in
writing on various members of the university. Other students indulged
their humor in like pasquinades. But those of Tasso were biting, and he
had not contrived to render himself generally popular. His rooms were
ransacked, his papers searched; and finding himself threatened with a
prosecution for libel, he took flight to Modena. No importance can be
attached to this insignificant affair, except in so far as it
illustrates the unlucky aptitude for making enemies by want of _savoir
vivre_ which pursued Tasso through life. His real superiority aroused
jealousy; his frankness wounded the self-love of rivals whom he treated
with a shadow of contempt. As these were unable to compete with him in
eloquence, or to beat him in debate, they soothed their injured feelings
by conspiracy and calumny against him.
In an age of artifice and circumspection, while paying theoretical
homage to its pedantries, and following the fashion of its compliments,
Tasso was nothing if not spon
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