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ication, mysterious and awful, between the world of waters and the world of the dead. It is always over the sea, after the Feast of Souls, that the spirits pass murmuring back to their dim realm, in those elfish little ships of straw which are launched for them upon the sixteenth day of the seventh moon. The vague idea behind the pious act is that all waters flow to the sea and the sea itself unto the "Nether-distant Land." Then a visit to Kitzuki to visit the Buddhist temple, into whose holy precincts no European had hitherto been admitted. Senke Takamori, the spiritual governor of Kitzuki, whose princely family dated back their ancestry to the goddess of the sun, received him with extraordinary urbanity. Senke, it appears, was connected with the Koizumis, the family to which Hearn's future wife belonged. To see the ancient temple of Kitzuki at that time was to see the living centre of Shinto, to feel the life pulse of the ancient cult throbbing in the nineteenth century as in the unknown past--that religion that lives not in books, nor ceremonial, but in the national heart. The magnetism of another faith polarised his belief. The forces about him, working imperceptibly, influenced him and drew him towards the religion of those amongst whom he lived, moulding and forming that extraordinary mixture of thought and imagination that enabled him to enter into the very heart and soul of ancient Japan. If ever a man was, as religious people term it, "called," Hearn was called to the task of interpreting the superstitions and beliefs of this strange people. Putting jesting on one side, he once said, if he could create something unique and rare he would feel that the Unknowable had selected him for a mouthpiece for a medium of utterance in the holy cycle of its eternal utterance. The half-blind, vagrant little genius had at last found the direction in which the real development of his genius lay; the loose, quivering needle of thought, that had moved hither and thither, was now set in one direction. The stage he was treading, though at first he did not realise it, was gradually becoming the sphere of a drama with eternal and immutable forces as scene-shifters and curtain-raisers. The qualities that had enabled Japan to conquer China, and had placed her practically in the forefront of far eastern nations, he was called upon to analyse and explain; to interpret the curious myths of this great people of little men, who, sh
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