correctly so.

That Keats was a friend of Leigh Hunt in the earlier period of his own
poetical career is a fact; but not long after the appearance of the
_Quarterly Review_ article he conceived a good deal of dislike and even
animosity against this literary ally. Possibly the taunts of the
_Quarterly Review_, and the alienation of Keats from Hunt, had some
connexion as cause and effect. In a letter from John Keats to his
brother George and his sister-in-law occurs the following passage[16],
dated towards the end of 1818: 'Hunt has asked me to meet Tom Moore some
day--so you shall hear of him. The night we went to Novello's there was
a complete set-to of Mozart and punning. I was so completely tired of it
that, if I were to follow my own inclinations, I should never meet any
one of that set again; not even Hunt, who is certainly a pleasant fellow
in the main, when you are with him--but in reality he is vain,
egotistical, and disgusting in matters of taste, and in morals. He
understands many a beautiful thing; but then, instead of giving other
minds credit for the same degree of perception as he himself professes,
he begins an explanation in such a curious manner that our taste and
self-love are offended continually. Hunt does one harm by making fine
things petty, and beautiful things hateful. Through him I am indifferent
to Mozart, I care not for white busts; and many a glorious thing, when
associated with him, becomes a nothing. This distorts one's mind--makes
one's thoughts bizarre--perplexes one in the standard of Beauty.'

For the text of _Adonais_ in the present edition I naturally have
recourse to the original Pisan edition, but without neglecting such
alterations as have been properly introduced into later issues; these
will be fully indicated and accounted for in my Notes. In the minor
matters of punctuation, &c., I do not consider myself bound to reproduce
the first or any other edition, but I follow the plan which appears to
myself most reasonable and correct; any point worthy of discussion in
these details will also receive attention in the Notes.

ADONAIS:

ITS ARGUMENT.

The poem of _Adonais_ can of course be contemplated from different
points of view. Its biographical relations have been already considered
in our preceding sections: its poetical structure and value, its ideal
or spiritual significance, and its particular imagery and diction, will
occupy us much as we proceed. At present I mean