he bird of Memnon bewail the son of the Morning, fluttering around
his tomb, as they lamented for Bion dead.... Echo, among the reeds, doth
still feed upon thy songs.... This, O most musical of rivers, is thy
second sorrow,--this, Meles, thy new woe. Of old didst thou lose
Homer:... now again another son thou weepest, and in a new sorrow art
thou wasting away.... Nor so much did pleasant Lesbos mourn for Alcaeus,
nor did the Teian town so greatly bewail her poet,... and not for Sappho
but still for thee doth Mitylene wail her musical lament.... Ah me! when
the mallows wither in the garden, and the green parsley, and the curled
tendrils of the anise, on a later day they live again, and spring In
another year: but we men, we the great and mighty or wise, when once we
have died, in hollow earth we sleep, gone down into silence.... Poison
came, Bion, to thy mouth--thou didst know poison. To such lips as thine
did it come, and was not sweetened? What mortal was so cruel that could
mix poison for thee, or who could give thee the venom that heard thy
voice? Surely he had no music in his soul,... But justice hath overtaken
them all.'

Bion was born in Smyrna, or in a neighbouring village named Phlossa, and
may have died at some date not far from 250 B.C. The statement of
Moschus that Bion was poisoned by certain enemies appears to be intended
as an assertion of actual fact. Of Moschus nothing distinct is known,
beyond his being a native of Sicily.

ADONAIS;

AN ELEGY ON THE DEATH OF JOHN KEATS,

Author of _Endymion, Hyperion,_ etc.

[Greek:

Astaer prin men elampes eni zooisin eoos.
Nun de thanon lampeis esperos en phthimenois.]

PLATO.

PREFACE.

[Greek:

Pharmakon aelthe Bion poti son stoma, pharmakon eides.
Pos teu tois cheilessi potedrame kouk eglukanthae;
Tis de Brotos tossouton anameros ae kerasai toi,
Ae dounai laleonti to pharmakon; ekphugen odan.]

MOSCHUS, EPITAPH. BION.

It is my intention to subjoin to the London edition of this poem a
criticism upon the claims of its lamented object to be classed among the
writers of the highest genius who have adorned our age. 15 My known
repugnance to the narrow principles of taste on which several of his
earlier compositions were modelled proves at least that I am an
impartial judge. I consider the fragment of _Hyperion_ as second to
nothing that was ever produced by a writer of the same years. 20

John Keats died at Rome of a consumption, in his