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twenty-fourth year, on the [23rd] of [February] 1821; and was buried in the romantic and lonely cemetery of the protestants in that city, under the pyramid which is the tomb of Cestius, and the massy walls and towers, now mouldering and desolate, which formed the circuit of 25 ancient Rome. The cemetery is an open space among the ruins, covered in winter with violets and daisies. It might make one in love with death to think that one should be buried in so sweet a place. 30 The genius of the lamented person to whose memory I have dedicated these unworthy verses was not less delicate and fragile than it was beautiful; and, where canker-worms abound, what wonder if its young flower was blighted in the bud? The savage criticism on his _Endymion_ which appeared in the _Quarterly Review_ produced the 35 most violent effect on his susceptible mind. The agitation thus originated ended in the rupture of a blood-vessel in the lungs; a rapid consumption ensued; and the succeeding acknowledgments, from more candid critics, of the true greatness of his powers, were ineffectual to heal the wound thus wantonly inflicted. 40 It may be well said that these wretched men know not what they do. They scatter their insults and their slanders without heed as to whether the poisoned shaft lights on a heart made callous by many blows, or one, like Keats's, composed of more penetrable stuff. One of their associates is, to my knowledge, a most base and unprincipled 45 calumniator. As to _Endymion_, was it a poem, whatever might be its defects, to be treated contemptuously by those who had celebrated with various degrees of complacency and panegyric _Paris_, and _Woman_ and _A Syrian Tale_, and Mrs. Lefanu, and Mr. Barrett, and Mr. Howard Payne, and a long list of the illustrious 50 obscure? Are these the men who, in their venal good-nature, presumed to draw a parallel between the Rev. Mr. Milman and Lord Byron? What gnat did they strain at here, after having swallowed all those camels? Against what woman taken in adultery dares the foremost of these literary prostitutes to cast his opprobrious stone? 55 Miserable man! you, one of the meanest, have wantonly defaced one of the noblest, specimens of the workmanship of God. Nor shall it be your excuse that, murderer as you are, you have spoken daggers, but used none. The circumstances of the closing scene of poor Keats's life were 60 not made known to me until the Elegy was ready for the press
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