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esponded to the movement which, all around him, was ushering in the Bourbons: the hardening of Goujon's and de l'Orme's luxuriance into the conventions of the great colonnades and the sombre immensity of the new palaces; the return of one national faith to a people weary of so many random quarrels; the mistrust of an ill-ordered squirearchy; the firm founding of a central government. He was Norman. Right of that north whence the vigour, though not the inspiration, of the Renaissance had proceeded, and into which it returned. Caen gave him birth, and still remembers him. Normans still edit his works--and dedicate these books to the town which also bred Corneille. Norman, learned with that restrained but vigorous learning of the province, he was also of the province in his blood, for he came of one of those fixed families whose heads held great estates all round Falaise, and whose cadets branched off into chances abroad: one of the Boughtons, in Kent, is still "Boughton Malherbe[1]." [Footnote 1: Not from the Conquest. It is near Charing, originally de Braose land, but an heiress married a Malherbe in the early twelfth century.] He was poor. His father, who held one of those magistracies which the smaller nobility bought or inherited, had not known where to turn in the turmoil of the central century. In a moment of distress he called himself Huguenot when that party seemed to triumph, and Malherbe in anger against the apostasy went down south, a boy of nineteen, and fought as a soldier--but chiefly duels; for he loved that sport. He lay under a kind of protection from the great Catholic houses, though still poor, till in 1601--he was a man of forty-six--Henri IV heard of him. In all these years he had worked at the rule of poetry like an artisan, thinking of nothing else, not even of fame. Those who surrounded him took it for granted that he was a master critic--a sort of judge without appeal, but it was a very little provincial circle surrounding a very unimportant house in Provence. Thus, careless it seems of everything except that "form of language" which was with him a passion, like the academic or theological passions, he was astonished on coming to Paris in 1605 to discover how suited such a pre-occupation was to such a time, and how rapidly he became the first name in contemporary letters. Of men who poured out verse the age was satiated; of men who could seize the language at this turn in its fortune, fix it
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