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sired; And long internal agitation Had filled her youthful breast with gloom, She waited for--I don't know whom! VII The fatal hour had come at last-- She oped her eyes and cried: 'tis he! Alas! for now before her passed The same warm vision constantly; Now all things round about repeat Ceaselessly to the maiden sweet His name: the tenderness of home Tiresome unto her hath become And the kind-hearted servitors: Immersed in melancholy thought, She hears of conversation nought And hated casual visitors, Their coming which no man expects, And stay whose length none recollects. VIII Now with what eager interest She the delicious novel reads, With what avidity and zest She drinks in those seductive deeds! All the creations which below From happy inspiration flow, The swain of Julia Wolmar, Malek Adel and De Linar,(31) Werther, rebellious martyr bold, And that unrivalled paragon, The sleep-compelling Grandison, Our tender dreamer had enrolled A single being: 'twas in fine No other than Oneguine mine. [Note 31: The heroes of two romances much in vogue in Pushkin's time: the former by Madame Cottin, the latter by the famous Madame Krudener. The frequent mention in the course of this poem of romances once enjoying a European celebrity but now consigned to oblivion, will impress the reader with the transitory nature of merely mediocre literary reputation. One has now to search for the very names of most of the popular authors of Pushkin's day and rummage biographical dictionaries for the dates of their births and deaths. Yet the poet's prime was but fifty years ago, and had he lived to a ripe old age he would have been amongst us still. He was four years younger than the late Mr. Thomas Carlyle. The decadence of Richardson's popularity amongst his countrymen is a fact familiar to all.] IX Dreaming herself the heroine Of the romances she preferred, Clarissa, Julia, Delphine,--(32) Tattiana through the forest erred, And the bad book accompanies. Upon those pages she descries Her passion's faithful counterpart, Fruit of the yearnings of the heart. She heaves a sigh and deep intent On raptures, sorrows not her own, She murmurs in an undertone A letter for her hero meant: That hero, though his merit shone, Was certainly no Grandison. [Note 32: Referring to Richardson's "Clarissa Harlowe," "La Nouvelle Heloise," and Madame de Stael's "Delphine."] X Alas! my friends, the years flit by And
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