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r in sense than _omittere_, 'to pass by, neglect'. Cf. 65 _contemni_, _despici_. -- OPTIMUS QUISQUE: see A. 93, _c_; G. 305; H. 458, 1. P. 19. -- 44. CRUDITATE: 'indigestion'. -- INSOMNIIS: 'sleeplessness'; the singular _insomnium_ occurs only once in prose (Tac. Ann. 11, 4). _Insomnia, ae_ is found only in poetry and late prose. -- DIVINE: this word in Cic. often means nothing more than 'splendidly', 'extraordinarily'. -- ESCAM MALORUM: 'an enticement to evil' (_esca_ = _ed-ca_, from the root of _edo_). Plato in the Timaeus 69 D (a dialogue translated into Latin by Cicero, a fragment of whose translation is still preserved) has [Greek: hedonen megiston kakou delear]. Cf. also Cic. Hortensius fr. 76 (ed. Halm) _voluptates corporis quae vere et graviter a Platone dictae sunt illecebrae esse atque escae malorum_. -- MODICIS: for the sake of variety Cic. chooses this, not _moderatis_, as the opposite of _immoderatis_. Trans. 'a moderate amount of goodfellowship'. -- M.F. = _Marci filium_. -- DEVICERAT: pluperfect where a modern would incline to use a perfect. The battle referred to is that of Mylae, fought in 260; its memory was perpetuated by the decking of the _forum_ with the _rostra_ of the captured ships; the _columna rostrata_ bore a long inscription, a restored version of which still exists. -- CENA: so best spelt; some good texts still print _caena_, but _coena_ is decidedly wrong, being based on the fiction that the Latin borrowed the Greek word [Greek: koine] and turned it into _coena_. -- CEREO FUNALI: 'the torch-light'; _cereo_, the em. of Mommsen for _crebro_; the _funale_ was a torch composed of withs or twigs twisted into a rope (_funis_) and dipped in pitch or oil. -- SIBI ... SUMPSERAT: Cic. seems to think that Duillius assumed these honors on his own authority. This was probably not the case; they were most likely conferred on him by a vote of the _comitia tributa_. Cf. Liv. epit. 17 _C. Duillius primus omnium Romanorum ducum navalis victoriae duxit triumphum, ob quam causam ei perpetuus quoque honos habitus est, ut revertenti a cena tibicine canente funale praeferretur_. No other instance is known where these particular distinctions were decreed; the nearest parallel lies in the right accorded to Paulus Macedonicus and to Pompeius to wear the triumphal _toga picta_ for life on each occasion of the _ludi_. It may be conjectured that the music and the torch were part of the ceremony on the evening of a triu
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