n with absolute certainty.
It would be shameful in a musician not to know the name of the
instrument he uses. 2. That the ear be trained in order to distinguish
the pitch upon which one speaks.
We should be able to name a sound and to sound a name. The Orientals
could sing eight degrees of tone between C and D. There may be a whole
scale, a whole air between these two tones. It would be unpardonable
not to know how to distinguish or at least to sound a semitone.
There is a fact proved by experience, which must not be forgotten. The
high voice, with elevated brows, serves to express intensity of passion,
as well as small, trivial and also pleasant things.
The deep voice, with the eyes open, expresses worthy things.
The deep voice, with the eyes closed, expresses odious things.
_The Voice in Relation to Vowels._
As already stated, the vocal apparatus is composed of the lungs, the
larynx and the mouth; but its accessories are the teeth, the lips, the
palate and the uvula. The tip and root of the tongue, the arch of the
palate and the nasal cavities have also their share in perfecting the
acoustic apparatus.
In classifying the different varieties of voice, we have considered them
only in their rudimentary state. Ability to name and distinguish the
several tones of voice is the starting point. We have an image more or
less perfect, leaving the mould; we have a canvas containing the design,
but not the embroidery--the mere outline of an instrument, a body
without a soul. The voice being the language of the sensitive life, the
passional state must pass entirely into the voice.
We must know then how to give it an expression, a color answering to the
sentiment it conveys. But this expressive form of the voice depends
upon the sound of its vowels.
There is a mother vowel, a generative tone. It is _a_ (Italian _a_). In
articulating _a_ the mouth opens wide, giving a sound similar to _a_ in
_arm_.
The primitive _a_ takes three forms. The unaccented, Italian _a_
represents the normal state; _a_ with the acute accent (') represents
the eccentric state; _a_ with the grave accent (`) represents the
concentric state.
These three _a_'s derived from primitive _a_ become each in turn the
progenitor of a family with triple sounds, as may be seen in the
following genealogical tree:
A
A A A
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e
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