more poised and even. The larynx, which is
very impressionable and the thermometer of the sensitive life, becomes
modified, and produces sounds and inflections in perfect unison with the
sentiments they convey.
All this, which man expresses in an imitative fashion, is numbered,
weighed and measured, and forms an admirable harmony. This language
through the larynx is universal, and common to all sensitive beings. It
is universal with animals as with man. Animals give the identical sounds
in similar positions.
The infant, delighted at being mounted on a table, and calling his
mother to admire him, rises to the fourth note of the scale. If his
delight becomes more lively, to the sixth; if the mother is less pleased
than he would have her, he ascends to the third minor to express his
displeasure. Quietude is expressed by the fourth note.
Every situation has its interval, its corresponding inflection, its
corresponding note: this is a mathematical language.
Why this magnificent concert God has arranged in our midst if it has no
auditors? If God had made us only intelligent beings, he would have
given us speech alone and without inflections. Let us further illustrate
the role of inflection.
A father receives a picture from his daughter. He expresses his
gratitude by a falling inflection: "Ah well! the dear child." The
picture comes from a stranger whom he does not know as a painter; he
will say, "Well now! why does he send me this?" raising his voice.
If he does not know from whom the picture comes, his voice will neither
rise nor fall; he will say, "Well! well! well!"
Let us suppose that his daughter is the painter. She has executed a
masterpiece. Astonished at the charm of this work and at the same time
grateful, his voice will have both inflections.
If surprise predominates over love the rising inflection will
predominate. If love and surprise are equal, he will simply say, "Well
now!"
_Kan_ in Chinese signifies at the same time the roof of a house, a
cellar, well, chamber, bed--the inflection alone determines the meaning.
Roof is expressed by the falling, cellar by the rising inflection. The
Chinese note accurately the depth and acuteness of sound, its intervals
and its intensity.
We can say: "It is pretty, this little dog!" in 675 different ways. Some
one would do it harm. We say: "This little dog is pretty, do not harm
it!" "It is pretty because it is so little." If it is a mischievous or
vicious
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