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e, another acute, the last being the lowest, and we pass from one to the other in a chromatic order. There are appealing cries which ask aid in peril. These cries are formed by the sounds e and o. They are slower than the preceding, but more acute and of greater intensity. 3. _Groans._--Here the voice is plaintive, pitiful, and formed by two successive tones, the one sharp, the final one deep. Its monotony, the constant recurrence of the same inflection, give it a remarkable expression. 4. _Lamentation_ is produced by a voice loud, plaintive, despairing and obstinate, indicating a heart which can neither contain nor restrain itself. 5. _The sob_ is an uninterrupted succession of sounds produced by slight, continuous inspirations, in some sort convulsive, and ending in a long, violent inspiration. 6. _The sigh_ is a weak low tone produced by a quick expiration followed by a slow and deep inspiration. 7. _The laugh_ is composed of a succession of loud, quick, monotonous sounds formed by an uninterrupted series of slight expirations, rapid and somewhat convulsive, of a tone more or less acute and prolonged, and produced by a deep inspiration. 8. _Singing_ is the voice modulated or composed of a series of appreciable tones. Part Second. Gesture. Chapter I. Of Gesture in General. Human word is composed of three languages. Man says what he _feels_ by inflections of the voice, what he _loves_ by gesture, what he _thinks_ by articulate speech. The child begins with feeling; then he loves, and later, he reasons. While the child only feels, cries suffice him; when he loves, he needs gestures; when he reasons, he must have articulate language. The inflections of the voice are for sensations, gesture is for sentiments; the buccal apparatus is for the expression of ideas. Gesture, then, is the bond of union between inflection and thought. Since gesture, in genealogical order, holds the second rank in human languages, we shall reserve for it that place in the series of our oratorical studies. We are entering upon a subject full of importance and interest. We purpose to render familiar the _heart language_, the expression of love. We learn dead languages and living languages: Greek, Latin, German, English. Is it well to know conventional idioms, and to ignore the language of nature? The body needs education as well as the mind. This is no trivial work. Let it be judged by the steps
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