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ion, must have a backward pose as in figure 2. If, on the contrary, he would communicate to his audience the expression of his will or of his own thought, he must have a forward poise as in figure 3. _Fourth Attitude._--Here the strong leg is behind, as in the second attitude, but far more apart from the other and more inflected. This is very nearly the attitude of the fencing master, except the position of the foot, which is straight instead of being turned outward. [Illustration] This is a sign of the weakness which follows vehemence. Natural weakness is portrayed in figure 1; sudden weakness in figure 4. _Fifth Attitude._--This is necessitated by the inclination of the torso to one side or the other. It is [Illustration] a third to one side. It is a passive attitude, preparatory to all oblique steps. It is passing or transitive, and ends all the angles formed by walking. It is in frequent use combined with the second. _Sixth Attitude._--This is one-third crossed. It is an attitude of great respect and ceremony, and is effective only in the presence of princes. [Illustration] _Seventh Attitude._--This is the first position, but the legs are farther apart. The free limb is turned [Illustration] to one side; both limbs are strong. This denotes intoxication, the man overwhelmed with astonishment, familiarity, repose. It is a double fifth. _Eighth Attitude._--This is the second, with limbs farther apart. It is the alternative attitude. The body faces one of the two legs. It is alternative from the fact that it ends in the expression of two extreme and opposite sentiments; that is, in the third or the fourth. It serves for eccentricity with reticence, for menace and jealousy. It is the type of hesitation. It is a parade attitude. At the same time offensive and defensive, its aspect easily impresses and leaves the auditor in doubt. What is going to happen? What sentiment is going to arise from this attitude which must have its solution either in the third or fourth? [Illustration] _Ninth Attitude,_--This is a stiff second attitude, in which the strong leg and also the free one are equally rigid. The body in this attitude bends backward; it is the sign of distrust and scorn. [Illustration] The legs have one aspect. If, in the second, the strong leg advances slowly to find the other, it is the tiger about to leap upon his prey; if, on the contrary, the free leg advances softly, the
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