h other. Thus mind supposes soul and life. Soul is at the
same time mind and life. In fine, life is inherent in mind and soul.
Thus these three primitive moods of the soul are distinguished by nine
perfectly adequate terms. The soul being the form of the body, the body
is made in the image of the soul. The human body contains three
organisms to translate the triple form of the soul.

The phonetic machinery, the voice, sound, inflections, are living
language. The child, as yet devoid of intelligence and sentiment,
conveys his emotions through cries and moans.

The myologic or muscular machinery, or gesture, is the language of
sentiment and emotion. When the child recognizes its mother, it begins
to smile.

The buccal machinery, or articulate speech, is the language of the
mind.

Man, neither by voice nor gesture, can express two opposite ideas on the
same subject; this necessarily involves a resort to speech. Human
language is composed of gesture, speech and singing. The ancient
melodrama owed its excellence to a union of these three languages.

Each of these organisms takes the eccentric, concentric, or normal form,
according to the different moods of the soul which it is called to
translate.

In the sensitive state, the soul lives outside itself; it has relations
with the exterior world. In the intellectual state, the soul turns back
upon itself, and the organism obeys this movement. Then ensues a
contraction in all the agents of the organism. This is the concentric
state. In the moral or mystic state, the soul, enraptured with God,
enjoys perfect tranquility and blessedness. All breathes peace,
quietude, serenity. This is the normal state,--the most perfect,
elevated and sublime expression of which the organism is capable.

Let us not forget that by reason of a constant transition, each state
borrows the form of its kindred state. Thus the normal state can take
the concentric and eccentric form, and become at the same time, doubly
normal; that is, normal to the highest degree. Since each state can take
the form of the two others, the result is nine distinct gestures, which
form that marvelous accord of nine, which we call the universal
criterion.

In fine, here is the grand law of organic gymnastics:

The triple movement, the triple language of the organs is eccentric,
concentric, or normal, according as it is the expression of life, soul
or spirit.

Under the influence, the occult inspiration of this law